Brady Corbet

The Brutalist

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Close-up of László smoking

The Brutalist did well at the Oscars, winning three (Best Actor, Music, Cinematography) from a total of ten nominations. It is the sort of film the Academy likes – it’s got class written all over it, from the fancy opening credits and the high-end VistaVision process (not used for more than 60 years), to its built-in intermission and tackling of a pertinent issue. To wit: immigrants get the job done, as Lin-Manuel Miranda put it in Hamilton. One immigrant, in this case, an architect who survives the death camps of Europe, arrives in proud and confident America as it’s enjoying its finest flowering and then, through a series of adventures with a moneyed American … Read more

Simon Killer

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simonkiller

London Film Festival, 2012-10-20  Giving a film’s plot away in its title: The Assassination of Jesse James by the Coward Robert Ford did it. So, with a lot less fuss, did Snakes on a Plane. Here we have Simon Killer, about a guy called Simon, who’s a Killer. It’s a good thing we know this early on, because without the sense of “when’s he going to do it, and who’s he going to do it to?” Antonio Campos’s introspective follow-up to the nervy, pervy Afterschool might just die of a tension deficit disorder. We’re in the sort of Paris that Americans with a Hemingway bent still hanker after – of cafes and night-time … Read more