Caché

Everyone loves a form/content double whammy, when a film’s story and its method of telling correspond. It’s why Memento succeeds so well, for example, a tale about an amnesiac told in partial and unreliable flashback. How much craftier is Michael Haneke’s psychological thriller Hidden. Georges (Daniel Auteuil) and Anne (Juliette Binoche) are media professionals, members of the Parisian chattering classes, liberal right down in their DNA. What could people of such good intent have to do with the rising tide of Islamism, anti-westernism, terrorism? Why are they being blackmailed by an increasingly incriminating series of videotapes? Are they guilty of something, or innocent, as the film seems to proclaim? Haneke’s double whammy is … Read more