See This: Hidden aka Caché

Daniel Auteuil and Juliette Binoche get increasingly spooked in Michael Haneke's Hidden

 

 

Everyone loves a form/content double whammy, when a film’s story and its method of telling correspond. It’s why Memento succeeds so well, for example, a tale about an amnesiac told in partial and unreliable flashback. How much craftier is Michael Haneke’s psychological thriller Hidden. Georges (Daniel Auteuil) and Anne (Juliette Binoche) are media professionals, members of the Parisian chattering classes, liberal right down in their DNA. What could people of such good intent have to do with the rising tide of Islamism, anti-westernism, terrorism? Why are they being blackmailed by an increasingly incriminating series of videotapes? Are they guilty of something, or innocent, as the film seems to proclaim? Haneke’s double whammy is to tell this story both from the point of view of the spooked couple and through the replaying of the videotapes they’ve been sent. Indeed we’re often not sure which point of view we’re seeing events from – is it the dispassionate camera telling us the story from Georges and Anne’s point of view, or is it the politicised camera within the film, the one shooting the videotapes? And it’s on this nub that this brilliant film turns. You could see it as a comment on fictionalised reality, though it is only tangentially that. Or as a more political film which, through Haneke’s dislocating device, dissolves the certainties of fiction and invites the question – are we, Western audiences, no matter how liberal, anti-war, pro-diversity, because we benefit from them, complicit in political actions taken in our name?

© Steve Morrissey 2007

 

Hidden – at Amazon

 

 

 

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  • Caché (2005) Drama, Mystery, Thriller | 1h 57min | 17 February 2006 (USA) 7.3
    Director: Michael HanekeWriters: Michael HanekeStars: Daniel Auteuil, Juliette Binoche, Maurice BénichouSummary: Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic. Written by Jodie Norton

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