Damien Bonnard

Les Misérables

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Cops Pento, Chris and Gwada

The title Les Misérables is now so associated with the musical that it’s often hard to remember that it was originally a novel by Victor Hugo, and an immensely significant one at that. Surely, bearing the book, the musical and various film adaptations of both in mind, writer director Ladj Ly must have had qualms about calling his film that. But he went ahead anyway and here’s the result, a bravado piece of dramatic film-making that not only justifies Ly’s use of the title but also validates his chutzpah. Hugo’s masterpiece often translates as The Miserables, The Wretched, The Dispossessed and The Wretched Poor, and Ly finds the modern equivalents of Hugo bread-stealing … Read more

Staying Vertical

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Léo, Marie and her father

Structured like a dream, or a nightmare, Staying Vertical (Rester Vertical in the original French) is populated with character types – the writer, the young man, the grandfather, the doctor, the farmer, the farmer’s daughter. And it has wolves in it too, which feature almost as a threat or an element from a fairytale until they make an actual appearance right at the end. Imagine Stanley Kubrick’s Barry Lyndon brought up to date. Damien Bonnard is the Lyndon-esque Léo, a young man on the make, a rake, a bullshitter, a fantasist, who we first encounter hitting on a handsome young man. “Do you want to be in the movies?” asks Léo, using the … Read more