Dominic Sessa

It’s easy to see The Holdovers as Alexander Payne’s riposte to all the moaning that Martin Scorsese and a few other members of the old guard were doing not so long ago about the predominance of superhero movies and how, you know, they don’t make ’em like they used to etc etc. Payne has gone out and made one like they used to, a film set in 1971 attempting to look like a film from 1971 (right down to the “copyright MCMLXXI” buried in the credits) – grainy, human-focused, often ensemble works like American Graffiti or The Godfather or the entire oeuvre of John Cassavetes. The action is set at a fancy school … Read more