EO

Eo chews on a carrot necklace

The Polish director Jerzy Skolimowski’s heyday was about 50 years, in the 1970s, a fact that make EO all the more remarkable. Here Skolimowski is, in his mid 80s, knocking it out of the park with a film that’s warm and tender, dramatically intense and also put together with a master’s touch. The even more remarkable thing is that at one point Skolimowski turned his back on film. For 17 years Skolimowski he was content to spend his time in his LA home painting. There were odd appearances in front of the camera – you might remember him interrogating Black Widow in The Avengers – but no cinema product bearing his name. But … Read more