Fernand Ledoux

In Emile Zola’s story La Bête Humaine, the “human beast” is train driver Jacques Lantier, a man whose family line is full of fuck-ups, alcoholics and brutes. He keeps his passions in check, just about, by focusing rigidly on his job, and in particular on his locomotive, which he calls by the female name Lison. There’s an intertitle card telling us all this at the start of Jean Renoir’s brilliant 1938 adaptation of the story. However, the “beast” of Renoir’s version might actually not be Lantier at all. Instead it could be Séverine, the lusty wife of a plodding stationmaster in Le Havre, where Lantier is forced to spend some time when his … Read more