Les Visiteurs du Soir

The "minstrels" ready to entertain

Because Marcel Carné made Les Visiteurs du Soir in Nazi-occupied France, and because it’s about a realm invaded by the The Devil’s Envoys (the English title), it’s often seen as allegorical. Carné denied it to the end of his life. But his film works perfectly well as an allegory as long as you stop there – the invasion bit. Go any further and the comparison will not hold. Set in a 15th-century France of doublet and hose and conical hats, it follows a couple of the devil’s representatives, who have been sent to Earth disguised as minstrels to create mayhem. Dominique (Arletty) and Gilles (Alain Cluny) arrive at the court of Baron Hugues … Read more

La Bête Humaine

Jean Gabin and Simone Simon

In Emile Zola’s story La Bête Humaine, the “human beast” is train driver Jacques Lantier, a man whose family line is full of fuck-ups, alcoholics and brutes. He keeps his passions in check, just about, by focusing rigidly on his job, and in particular on his locomotive, which he calls by the female name Lison. There’s an intertitle card telling us all this at the start of Jean Renoir’s brilliant 1938 adaptation of the story. However, the “beast” of Renoir’s version might actually not be Lantier at all. Instead it could be Séverine, the lusty wife of a plodding stationmaster in Le Havre, where Lantier is forced to spend some time when his … Read more