Gael García Bernal

Cassandro

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Cassandro in the ring soaking up the applause

After two documentaries in 2010 and 2018 that did the same, Cassandro tells the story of Saúl Armendaríz, a lucha libre fighter in Mexico in the 1980s, and his transition from being one of masked luchadores to being an altogether rarer creature, an exótico. As a gay man on the macho lucha libre circuit, Saúl has always felt a little “exótico” among the grapplers and grunters. But he’s a masked fighter like they are, even though he’d probably be better off if he just went along with the locker-room banter and got his full flame on. So far he has resisted the switch from being a masked fighter to being one of the … Read more

Ema

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Mariana Di Girólamo

The first film I saw of Pablo Larraín’s was 2008’s Tony Manero, which was about a man whose passion in life was posing as John Travolta’s character, Tony Manero, out of Saturday Night Fever. Larraín’s interest in people pretending to be something they’re not continues in Ema, which also happens to be a film pretending to be something it’s not. Even without the late gotcha moment when both Ema and the film are upended, what we have here is a mix of character study, formal experiment and genre pastiche, served up in two separate visual flavours by DP Sergio Armstrong, his usual gauzy, alienated lighting style punctuated by moments of boiling vital colour. … Read more

Rudo y Cursi

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Gael Garcia Bernal and Diego Luna in Rudo y Cursi

A movie for every day of the year – a good one 16 March The Wanderers FC win first FA Cup, 1872 Today in 1872, the London football club Wanderers won the first football association cup, the oldest football competition in the world. It was the first of three wins of the cup for the club. The FA Cup is a knockout cup open to all football clubs who are established enough, and with facilities enough, to take part. In 1871-72, being the first season of the cup, there was a piecemeal and eccentric series of regulations – Wanderers managed to get to the final having won only one of their four games … Read more

Amores Perros

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Gael Garcia Bernal in Amores Perros

The film which announced the rebirth of Mexican cinema in 2000, Amores Perros was adored not just by cinephiles but also those who “don’t do subtitles”. The reasons are many and continue to make it a film worth seeing, or seeing again. Shot on film which has been deliberately processed in the “wrong” chemical to produce distorted colours and bleached out highlights, it’s got a look which suddenly was everywhere – from hip adverts to films by old-schoolers such as Steven Spielberg (see 2005’s terrorist thriller Munich, for example). The multi-stranded plot which zips backwards and forwards from a pivotal moment – in this case a car crash – is now a Hollywood … Read more