Hirokazu Koreeda

Monster

by
Yori and Minato

Second-rate Hirokazu Kore-eda is still first-rate moviemaking. Here’s Monster, the first film he hasn’t written himself for nearly 30 years, a mix of familiar Kore-eda themes and explorations of new fields. Yûji Sakamoto is the TV writer Kore-eda contacted to write his first Japanese-language film in several years, having gone to France for The Truth (2019) and South Korea for Broker (2022). He’d always wanted to work with Sakamoto, Kore-eda said. For his part, Sakamoto pounced at the chance, having once described Kore-eda as “the world’s best screenwriter”. No pressure then. What they came up with together is a faintly Rashomon-style re-examination of the same story from different angles. Each pass over the … Read more

Broker

by
Moon So-young, Dong-soo, Ha Sang-hyun and baby

On a filthy rainy South Korea night a young mother abandons her baby, leaving it in the “baby box” – designated for just this thing – attached to a church. The next day, having changed her mind, she heads back to the church, only to find that a pair of “baby brokers” got to the box before the church authorities. They have stolen her baby and intend to sell it on the adoption black market. Two cops saw all this. Clearly onto the brokers, they were watching from a stakeout vehicle as Moon So-young (Lee Ji-eun) left her baby and as Dong-soo (Gang Dong-won) filched it. As they watch and snack on instant noodles, gummi … Read more