The Fall of the House of Usher

Madeline Usher swathed in chiffon

Jean Epstein’s The Fall of the House of Usher is surely the best version of the Edgar Allan Poe story ever. Loved by director Kurosawa, revered by critic Roger Ebert, it perversely only seems to exist in streaming and hard-copy versions that don’t do it justice. This is one of the best gothic chillers ever made – why doesn’t it look better than this? Possibly because it’s a silent movie, and they tend to get the silent treatment? Luis Buñuel worked on it too, so there’s another reason it should be more respectfully treated, though he did walk off halfway through, appalled at Epstein’s cavalier treatment of Poe’s story. But it remains true … Read more

La poison

Paul (Michel Simon) gets his moment in court

The misdirection starts early in the superb dark French farce from 1951 La poison (no prizes for guessing it translates as Poison). Right with the title, in fact, which suggests that poison, or a poisoning, is what the film is going to be about. It isn’t. Or it is, but not in the way the title might suggest. But first – more sleight of hand – writer/director Sacha Guitry, a boulevardier of the old school, introduces his cast, by their real names, starting with his star, Michel Simon, a big bear of a man Guitry praises effusively before moving on to Simon’s co-stars, all of whom get the buckets-of-praise treatment. Then on to … Read more