The World to Come
Mona Fastvold’s second film, The World to Come, continues her tick-tocking exploration of timebomb relationships, much as did her first one, 2014’s The Sleepwalker. And like The Sleepwalker, this also toys with the viewer, delaying the explosive payoff until its moment has started to recede over the hill. Has Fastvold been watching Hungarian master miserablist Béla Tarr, I wondered. If so, it might explain the disengaged atmosphere. An early shot, of frontier couple Abigail (Katherine Waterston) and Dyer (Casey Affleck) sitting down to eat a solitary boiled potato, was reminiscent of a scene in Tarr’s final film, 2011’s The Turin Horse, a drama so bleak that it dares you not to titter. Also … Read more