Marlon Brando

Reflections in a Golden Eye

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Marlon Brando and Elizabeth Taylor

Like a yard sale of the junk in Tennessee Williams’s mind, Reflections in a Golden Eye is a trawl of pre-loved Southern gothic artefacts in various states of disrepair. Directed by John Huston in 1967, it was adapted from a novel by Carson McCullers – a Williams protégé. Brace yourselves. What might you expect to find at that yard sale? Elizabeth Taylor for one. A range of variable Southern accents for another. Quite possibly a manly man who is secretly gay. Excesses of booze and other narcotics. Lonely people. The repressed. People who are victims of themselves. Self-harm. Sexual transgression. Broken patriarchy. A love of animals and a disdain for humanity. In beautiful, … Read more

One-Eyed Jacks

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Rio and Dad Longworth

There is a legendary aspect to One-Eyed Jacks. The only film Marlon Brando ever directed, it became notorious because of Brando’s extravagant shooting style – miles of expensive film run through VistaVision cameras to catch the right wave, days waited for the light to be just right and so on. The results were mixed. Brando has undeniably made a fantastic-looking film, and it features the man himself in a lead role when he was still beautiful and pumping pheromones. But it flopped badly on its 1961 debut and never really got another look-in, until the Film Foundation, with Spielberg and Scorsese backing, stumped up the money for a restoration. I watched the Criterion … Read more

Bedtime Story

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Lawrence and a wealthy widow

Bedtime Story is one of a string of movies produced by Marlon Brando’s Pennebaker Productions, a company run by Brando’s father, Marlon Sr, and named after his mother, Dorothy Pennebaker. They didn’t all feature Brando Jr. 1961’s Paris Blues was a vehicle for Paul Newman, Joanne Woodward, Sidney Poitier and Louis Armstrong. 1959’s Shake Hands with the Devil starred James Cagney. 1964’s Man in the Middle was a courtroom drama set during the Second World War and handed a lead role to Robert Mitchum. You’ve probably not heard of any of them, and apart from One Eyed Jacks, Pennebaker Productions’ hit rate wasn’t astonishing, though the films they turned out did generally feature … Read more

The Score

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Marlon Brando, Robert De Niro, The Score

Frank Oz is apparently a bit sniffy about being described as the man who used to be Miss Piggy. Here he directs Robert De Niro, Marlon Brando and Ed Norton in a one-last-heist movie and discovers that big hitters aren’t quite so easy to fist as a porker made of felt. Bob, Marlon and Ed play, respectively, a jazz-loving master thief hoping to go out on a financial high, his lispingly effeminate fence and the cocky wannabe eager to learn at the master’s feet. A wasted Angela Bassett plays De Niro’s girlfriend. (Well, not entirely wasted. At least the producers got to tick the boxes marked “female” and “black”.) We’re in the middle … Read more