Park Chan-wook

No Other Choice

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Man-su with a heavy plant pot he's ready to drop on someone's head

Park Chan-wook probably hit peak cultural clout with 2003’s Oldboy. No Other Choice reminds us yet again that he’s still here, and has been knocking out good films ever since. If The Handmaiden and Decision to Leave and a clutch of others don’t quite get the coverage that Oldboy and the other two films of the “Vengeance” trilogy did, that’s more our problem than his. In fact Sympathy for Mr Vengeance, Oldboy and Lady Vengeance would better be described as the “Sympathy” trilogy, since that’s their currency. But in the crazy-busy world of the attention economy Vengeance sells and Sympathy comes across as a bit wafty, so Vengeance it is. Which brings us … Read more

Decision to Leave

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Park Hae-il and Tang Wei

A cop falls disastrously for the woman he is certain killed her own husband in Park Chan-wook’s first film since 2016’s The Handmaiden. Decision to Leave is an erotic noir mixing elements of the “useless cops” comedy of Bong Joon-ho’s Memories of Murder with the romantic obsession of Wong Kar-wai’s Chungking Express and adding byzantine, gothic plotting that’s all Park’s own. It wouldn’t work as well as it does without the presence of Tang Wei, playing a femme fatale of a noirish stripe – slinky, possibly dangerous, magnetically attractive – and the grieving widow of a much older husband who’s died in a bizarre rock climbing accident. Is Seo-rae grieving enough though? Or even … Read more