The Stranger aka L’Étranger

Benjamin Voisin as Meursault

Albert Camus always rejected the queer reading of his novel L’Étranger, but director François Ozon insists on it in his adaptation. One of the urtexts of existentialism known for its blank refusal of emotion, the book famously opens with its antihero coolly announcing the death of his mother. Ozon’s Meursault (no cosy first name), for his part, tells us similarly blankly that “I killed an Arab”, again shifting the story slightly. The dead man was a “stranger” – one translation of “L’étranger”. Another is “outsider”, and refers to Meursault himself, a white Frenchman in brown Algeria, a coloniser in someone else’s country. Ozon gets all this done just like that and then proceeds … Read more

The Crime Is Mine aka Mon Crime

Madeleine and Pauline

Mixing it up is writer/director François Ozon’s way. Mon Crime (aka The Crime Is Mine) sees him back on the comedic territory of 8 Femmes, Potiche and In the House, leaving his more serious, more recent movies, like Peter von Kant (a remake of a fraught Fassbinder film), Summer of 85 (a veiled autobiography) and Everything Went Fine (a drama about assisted dying) looking a little like aberrations. Farce and old-school screwball is the idea. The style borrowed from Lubitsch and Capra, the story looking like it’s borrowed from the 1926 play Chicago. Actually, it’s based on the 1934 play Mon Crime, which, it’s possible, might have leant on the same real-life source … Read more

Une Jeune Fille Qui Va Bien aka A Radiant Girl

Rebecca Marder as Irène

For her debut feature as a director, French actor Sandrine Kiberlain has decided not to take the easy route and instead go for something a bit bolder. Une Jeune Fille Qui Va Bien (A Radiant Girl) is a familiar story told in an unfamiliar way. Kiberlain returns to the grim history of the Jews of Paris under the Nazi occupation but filters it all – well, mostly all – through the eyes of a young drama student whose entire focus is on an upcoming audition to gain entry to the conservatory. As the film opens Irène (Rebecca Marder) is rehearsing Marivaux’s L’Épreuve with a fellow drama student. She faints. It might be part … Read more