Review

Neil Young: Heart of Gold

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Neil Young on stage in Jonathan Demme's Heart of Gold

Jonathan Demme’s Talking Heads film, Stop Making Sense, is one of the best concert documentaries ever made. Now he’s done the same favour for Neil Young, who was just recovering from a brain aneurysm when he delivered this two-part country set in Nashville. The title itself is something of a misnomer, or a hard sell (take your pick) since the first part of the concert is Young’s Prairie Wind album in its totality. It’s only in part two that Young gets the back catalogue out, mostly songs from Harvest, After the Gold Rush and Harvest Moon, his slight return to the acoustic-y banjo-y style of Harvest. As with Stop Making Sense Demme starts … Read more

Enemy at the Gates

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Jude Law takes aim in Enemy at the Gates

Here’s a mixed bag of European war movie that is trying to be Saving Private Ryan in its impressive opening scenes, but looks as if it realises it doesn’t have the budget and so scales back the action to concentrate on two lone snipers. One German, one Russian. It’s set during the battle of Stalingrad, in which more than two million people died – yes, two million – and so the decision makes some logistical sense, even if it shortchanges the Russians and their epic level of sacrifice. The fact that it does that is what got the goat of a lot of historians masquerading as film critics, who suggested that the film … Read more

The Arrival of Wang

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Ennio Fantastichini and Francesca Cuttica in The Arrival of Wang

It’s L’arrivo di Wang in its original Italian, which still sounds bizarre, though perhaps slightly less fruity than it does in English, where the title suggests… the appearance of a Tarzanogram? The genre is sci-fi, so perhaps not, but if there’s one thing that this lo-fi offering has is plenty of intrigue. From the off we’re grabbed, as is our heroine Gaia (Francesca Cuttica), a jobbing Mandarin interpreter who is picked up out of the blue from her home one morning by a shady motorcade, blindfolded and taken to a government installation where the rest of the film plays out. What the government want from her, who they want her to act as interlocutor … Read more

Bleak House

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Gillian Anderson as Lady Dedlock in Bleak House

If the film is often a novella, the TV mini-series is often the full-fat 600-pager, with Charles Dickens right up at the top of the list when it comes to cliffhanger endings to the week’s proceedings – the stories were often written for serialisation, Bleak House having appeared in 20 weekly editions of 32 pages plus illustrations. The BBC have something of a lock on Dickens, but their productions can be a bit dusty, more focused on the clothes than the action. But not this Bleak House. This 2005 outing is their best Dickens since 1994’s Martin Chuzzlewit and has the edge on its previous Bleak House, made in 1985 and starring Diana … Read more

Bob Le Flambeur

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The original poster for Bob Le Flambeur

If you’ve seen Frank Oz’s garbled heist movie The Score, starring Robert De Niro, Marlon Brando and Edward Norton, you might have asked how come three acting legends were inveigled into appearing in something so average. The answer is Bob Le Flambeur, the “one last heist” film they obviously thought they were channelling. Reeking of the late 40s but made in the 50s just as France was about to embark on the New Wave, it is the last word in Parisian chic, a mix of Gallic savoir faire, American hats and cars, dialogue drawled out the side of the mouth and jazz pouring out of radios, bars and nightclubs. Roger Duchesne plays white-haired … Read more

Just My Luck

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Lindsay Lohan and Chris Pine in Just My Luck

Released as its star Lindsay Lohan enters a spiral of celebrity freefall, Just My Luck is directed by Donald Petrie, who is a dab hand at turning unbelievable Hollywood nonsense into something resembling a decent movie. So he almost managed to make you forget that the undercover cop and supposed frump in Miss Congeniality was the never-less-than-hot Sandra Bullock. Or that in the romcom How to Lose a Guy in 10 Days Kate Hudson … to be honest, it’s so whimsical and borderline nasty that I’m not going to go there. Here Petrie takes the still perky screen presence of Lohan and inserts her into a similarly whimsical and borderline nasty scenario – she’s … Read more

Stormbreaker

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Alex Pettyfer in Stormbreaker

We’ve had young James Bond, courtesy of Charlie Higson, and the Spy Kids films, so there’s nothing that groundbreaking about Alex Rider, the mini-me spy and key character in Anthony Horowitz’s string of highly successful novels. 16-year-old Alex Pettyfer steps into the Rider role, his private school accent and rent boy looks making him ideal as the juvenile spy. Horowitz himself adapts his own novel. Which is a feat considering that he also writes the Power of Five series (known as The Gatekeepers in the US), has knocked out a Sherlock Holmes novel, a number of scripts for the long-running Sunday afternoon footwarmer Poirot, a whole raft of Midsomer Murders and he’s the creator … Read more

The Wind That Shakes the Barley

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Cillian Murphy and Pádraic Delaney in The Wind That Shakes the Barley

A polemic rather than a drama, about a blameless Irish lad who becomes a Republican after seeing with his own eyes what the British are up to. Cillian Murphy plays the lad, peaceable to the point of cowardice, the prospective medical student who is caught up in the struggle to get the Brits out of Ireland in the 1920s. His brother (Pádraic Delaney) meanwhile heads off in the other direction – initially bellicose but softening his stance when a political compromise (a “sell out”) is brokered. Director Ken Loach’s film is partisan to the point of ludicrousness – at one point the Brits are depicted swooshing by in cars with their heads tilted … Read more

Police Story

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Jackie Chan in Police Story

There are plenty of people who think of Jackie Chan as a brilliant martial artist who has squandered his gifts on silly comedy. Even they, the Chan purists, acknowledge the brilliance of Police Story, Chan’s best film. And now that we’re in 2013 and Chan is nudging 60 years old, he’s never going to trump it. From the opening scenes in which Chan hangs on to a double decker bus with an umbrella as it careens around Hong Kong, to the final sequence in a shopping mall during which he smashes through glass, hops from one escalator to another – not forgetting the most gob-smacking of all, the downhill drive through a shanty town … Read more

Thale

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Silje Reinåmo as mythical creature Thale

So here we are in the middle of August 2013 and I still think that Thale is one of the best films I’ve seen all year. I must have watched it back in February. I’ve probably watched between 130 and 150 films since. So why has it stuck in my head? Because of the artistic choices of its director, Aleksander Nordaas, who I see is now preparing Thale 2. I hope that a bigger budget (and I hope he has a bigger budget, a man can’t sell everything he owns to finance his second film after he’s already sold everything to finance his first) – I really hope that won’t turn his head. What … Read more