The Burmese Harp

Mizushima as a monk

After a career banging out one makeweight movie after another, on the 27th go director Kon Ichikawa hit paydirt with The Burmese Harp. A box-office smash and critical hit at home in Japan and abroad, it propelled Ichikawa into the ranks of internationally celebrated Japanese directors, alongside Kurosawa, Ozu, Mizoguchi et al. It’s worth remembering the Japanese martial code before diving into this strangely meditative drama – death before dishonour, to boil it down – and that the surrender by the Japanese emperor in 1945 had been seen by many in the military as an act of treason. The film deals with that surrender and the acceptance, or lack of acceptance, of it. … Read more