Son of the White Mare

Psychedelia came late to the Soviet Bloc. Marcell Jankovics’s Son of the White Mare (aka Fehérlófia) didn’t come out till 1981, at which point in the West long hair was out and short hair was in, weed had been traded for speed and nothing seemed quite as old hat as self-indulgent, soft-edged hippie-infused visuals. Way out east, however, the Communist regime remained steadfastly against anything that was soft, western, bourgeois, non-practical, non-utilitarian or non-propagandistic. With its decorative, non-logical looks, psychedelia’s message was in itself dissident and political and its counter-cultural impact was strong. On the other hand the regime did like folk art. Pop art bad, folk art good ran the mantra of … Read more