Susan Hayward

The Lost Moment

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105-year-old Juliana

A flop redeemed by time, The Lost Moment was too gothic, too excessive for 1947 but here in the 2020s it fits quite snugly in alongside the likes of The Vourdalak, Uninvited, The Girl with the Needle, The Maid or either of the recent takes on Nosferatu. An adaptation of Henry James’s The Aspern Papers, it tells the story of a publisher posing as a writer inveigling himself into the Venice palazzo of ancient Juliana Bordereau, the onetime love of famous poet Jeffrey Ashton (as the Byron/Shelley composite Jeffrey Aspern is called here), hoping to lay his hands on the love letters Ashton left behind. It’ll be the publishing event of the century, … Read more

They Won’t Believe Me

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Larry and Verna

Robert Young forever played a good guy and wound up on TV as nice doctor Marcus Welby MD. In They Won’t Believe Me he doesn’t and the film really benefits from the against-type casting. As we meet his character, Larry Ballantine, he’s in the dock in court, where his own lawyer is describing him as “heartless, shameful, sordid and cruel”. Larry is a relentlessly womanising male of the first water and he’s now in court accused of murdering his girlfriend, or is it his wife? This incredibly twisted, brilliantly dovetailing plot is about a bad man being caught out by fate, which seems to have stepped in to intervene because Larry has simply … Read more

Deadline at Dawn

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Taxi driver Gus, June and Alex

A romance, a noir and a whodunit all in one, Deadline at Dawn is the only film Harold Clurman ever directed. A theatre director by background, Clurman wisely keeps it between the rails here with solid functionality. He shows us the stuff we need to see and nothing more. There’s no flash, no tricksiness. The same cannot be said for the timeline, which is jumbled about a fair bit. A smalltown soldier boy on leave in the big city wakes up with the mother of all hangovers and a pocketful of money. He has no idea where the loot came from, nor what he was doing the night before, beyond a hazy memory … Read more

I Want to Live!

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Close up of Susan Hayward looking frantic

I Want to Live! won Susan Hayward a Best Actress Oscar and yet the film, like Hayward herself, is barely remembered today. The story of a woman who is convicted of murder and is then executed in a gas chamber, it is an emotional and fairly gruelling drama which leaves one question entirely open – did she deserve it? – to focus on the unsavoury mechanics of the execution itself. But first a couple of prologues, one by the writer Albert Camus, billed as the Nobel Prize winner, enjoining us not to look away, the other from the Pulitzer-winning journalist Ed Montgomery, who covered the case, and vouches that what you are about … Read more