Tim Roth

Tornado

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Little Sugar holds a knife to Tornado's throat

Samurai swords in Scotland in the 1700s. Like his debut, Slow West, John Maclean’s follow-up Tornado is a grand chase movie held together by not much at all. In this case a simple plot about a young Japanese woman on the run from some vagabonds who want their gold back. Simple stuff. Akira Kurosawa is in here, so is Sergio Leone. It’s very elemental. Archetypal, you could say, an arthouse western in an unlikely setting. What the men chasing Tornado (Kōki) don’t fully understand is how skilled this slip of a girl is when it comes to wielding a honed blade, but they will, when they back her into a corner in the … Read more

Möbius

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Moïse and Alice flirt

Möbius, not Morbius. The Marvel supervillain was still in the uncertain future in 2013 when Eric Rochant wrote and directed this spy thriller set in the chi-chi world of high finance. Also in the future was Rochant’s magnum opus, the brilliant TV series The Bureau (aka Le Bureau des Legendes), for which Möbius can be seen as a dry run. Though TV had already clearly won the Movies v TV race by 2013, old-school movies still had prestige and many were still being made which, all told, should really have been a TV series. The result is too many films of this era with overstuffed storylines, too many characters, too much event, too … Read more

Bergman Island

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Chris and Tony

French writer/director Mia Hansen-Løve genuflects before the master, Ingmar Bergman, in her playful and reverential drama set on Fårö (pronounced foe-rer, more or less), the island where Bergman wrote and shot some of his films, and which is now dedicated to promoting his legacy. In meta fashion, Chris (Vicky Krieps) and Tony are a pair of film-makers arriving on Fårö to seek inspiration for the next projects they are working on. Renting the house where Bergman once shot parts of Scenes from a Marriage, or so they (and we) are told by the woman showing them around, they get down to work, him beavering away in the bedroom, her in the mill next … Read more

The Liability

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Jack O'Connell and Tim Roth in The Liability

Starting great but ending merely good, this British thriller full of deadpan laughs is sexy, nasty and features two great actors, Tim Roth and Peter Mullan. It even boasts a starmaking performance by Jack O’Connell as The Liability. The genre is announced before the opening credits, as a man in a car parked somewhere bleak but lit with the rainbow palette of an acolyte of Christopher Doyle is gruesomely garrotted from the rear passenger seat by someone we never see. Except it isn’t. The genre we thought it was, I mean. Cut to Adam (Jack O’Connell) a total dipstick who has borrowed his mum’s boyfriend’s C Class Mercedes and is razzing it up … Read more