When he switches off the mouth, Robin Williams can be an incredibly effective actor. This is one of those turns, yet it’s ironically about a man who is a professional mouth, a DJ with a late-night show who uses his graveyard phone-in to tell and listen to stories. It’s another of Williams’s characteristics as an actor that he’s happy, let’s say willing, to play characters who either aren’t likeable or are downright nasty, One Hour Photo being the ultimate proof of that. Again ironically, he’s neither here, though he is playing a character despised in much of society – a gay man. There’s a dark almost Hitchcockian feel to the path that leads off … Read more