Fallen Angels

Charlie Yeung and Takeshi Kaneshiro

Fallen Angels was originally meant be the third part of Wong Kar-Wai’s previous film, 1994’s Chungking Express, but Wong realised he’d told his story already in the two separate but interlinked stories he already had in the can. No third part necessary. And so here it is, all on its ownsome, an expanded reworked standalone, released in 1995. Stylistically it’s similar to Chungking Express – lurid lighting, whipcrack edits – but Wong and DP Christopher Doyle this time use very wide lenses held very close up, rather than the much longer ones of Chungking Express. A wide lenses give everything a stretched, in-your-face immediacy. Everything is tightly on and about the person in … Read more

Chungking Express

Woman in Blonde Wig with Cop 223

Written on the hoof while shooting on his previous film, Ashes of Time, was paused, Wong Kar-Wai’s Chungking Express is one of the defining films of the 1990s and, thanks to Wong’s remarkable approach to storytelling, one of the great films of all time. It’s two stories in one, or one story told two ways, if you like, as if Wong had assembled all his elements, used them to tell his first story and then given the kaleidoscope a tiny twist. Hey presto, here are the same bits and pieces arranged in an entirely different way. Both are romantic fever dreams and take place in a world that’s not really our own, where … Read more

The Grandmaster

Zhang Ziyi and brothel women in The Grandmaster

There are misgivings even during the opening scene of this decade-straddling epic about Ip Man, generally described as “the man who trained Bruce Lee”. There’s legendary martial artist Ip Man (the impassive Tony Leung) in a stylish straw hat taking on a phalanx of uglies in a torrential nighttime downpour. Slo-mo rain. It’s the sort of visual cliché you might expect from Uwe Boll rather than one of the most gifted film-makers in the world. But, a bit of plot. The film kicks off in the 1930s when, Leung’s voiceover tells us, Ip Man is about 40, a content, wealthy resident of Foshen with a lovely wife and a rich cultural life. This … Read more

In the Mood for Love

in the mood for love

Escape the tyranny of the huge flatscreen TV for an evening and surrender to a slow-moving visual feast best seen on the big screen in a darkened room with lots of people. They will mostly be holding their breath, and for a variety of reasons. The gorgeousness of Christopher Doyle’s cinematography for one, depicting 1960s Hong Kong as a kaleidoscope of butterfly blues, resinous ambers and neon reds. The unusual focus of the plot for another – on the man and woman realising that their other halves are having an affair with each other. On the losers not the winners in the game of love, in other words. And on the awful, stomach-clenching … Read more