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Charlotte Rampling, Donald Sutherland and Brian Blessed are the standout names in The Superlative Seven, a title suggesting this episode is going to borrow heavily from The Magnificent Seven of seven years before. In fact it’s more a reworking of Agatha Christie’s Ten Little Indians, with a bit of
When writers run out of ideas, they either start cannibalising their own old ones (see the episode from two weeks’ prior – The Correct Way to Kill), they duck into comedy (no refuge for a series that already has its tongue boring a hole through its cheek) or they
Christopher Lee! Christopher Lee of Dracula fame, intelligence operations during the Second World War, later a Bond villain, Saruman of Lord of the Rings and a heavy metal artist in his 90s, yes, that’s the man, lumbering about like Frankenstein’s monster (another role) the first time we see him,
So we arrive at The Correct Way to Kill, a rewrite of the series 3 episode The Charmers, and a frank admission that The Avengers has pretty much run out of ideas. Or, since we’re being generous, that it’s taking a prize episode out for a well deserved
Well written and brilliantly cast, The Hidden Tiger is also very neatly directed by Sidney Hayers, who starts the episode with a point-of-view shot of a butler being dispatched by forces unseen while he is putting out a bowl of milk for the cat. In death the man
The zombie movie was sleeping fitfully in its crypt – George Romero would wake it in 1968 with Night of the Living Dead – when The Avengers episode The Living Dead first aired in February 1967. Steed and Peel, it seems, are now ghosthunters as well as murder investigators, industrial-decline
The Winged Avenger, self-referentiality to one side, is a comic-book title and a comic-book episode – look at the framing throughout – and intriguingly suggests that The Avengers now has another genre reference point, having conclusively ditched noirish crime fiction as a motherlode even before Honor Blackman left the show
Even being kind The Bird Who Knew Too Much is a fairly crap episode of The Avengers, a half-hearted rewrite of an Alan Pattillo story by Brian Clemens. But it gets off to a quirky enough start – a man on the run is shot and, instead of
After time travel in the previous week’s episode, Escape in Time, The Avengers’ augmented interest in sci-fi gets another workout in The See-Through Man, a plot all about invisibility and its dastardly uses. Comedy is the overarching tone and self-parody the effect as first one person then another
Escape in Time is a good chance to see what the great documentary maker John Krish can do when handed an episode of The Avengers to direct. The results are a mixed bag: visually interesting but dramatically a little flat, though the premise – a time-travelling bolthole into
