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After new opening titles – a mix of the medieval (Steed’s swordplay with his brolly) and the modern (Tara King in sophisticated black evening dress and then action-girl attire) – we’re off into Game, the first proper Tara King era episode of The Avengers. The excellent Robert Fuest (director of
Exit Diana Rigg, enter Linda Thorson. Out with the old, in with the new in The Forget-Me-Knot, a handover episode that saw Diana Rigg leave The Avengers and Linda Thorson join it. Much has been said about Thorson – a good overview can be found here at Avengers Forever
The US TV series Mission: Impossible was not quite a year old and hadn’t yet aired in the UK when the Avengers episode Mission… Highly Improbable debuted in the UK in November 1967, so Brits wouldn’t have got the joke/reference. It matters not – apart from the allusive title, there’s
Murdersville feels like a very loose rewrite of a Cathy Gale-era Avengers episode, though having wracked my brains, I don’t believe it can be. The hallmarks are there though – old school English village, locals, a pub – real life, in other words, which the Emma Peel-era Avengers (Cybernauts,
A mad spy-fi story, the sort that made The Avengers the legendary show it is, The Positive Negative Man gets off to a Cybernauts-style start with a big lumbering creature – a man in silver greasepainted face and a metal sleeve on one finger – zapping a scientist (Bill
You Have Just Been Murdered is what this episode of The Avengers is called and it’s what’s written on a card left behind at the house of a man who has just been menaced with a gun by an intruder. The gunman returns later with a fake knife, “kills” his
Dead Man’s Treasure takes that old staple of the country house weekend – the treasure hunt – and turns it into a reasonably thrilling car-chase adventure unsure quite how jokey it wants to be. My hunch is that the thrills come courtesy of writer Michel Winder, the jokes from showrunner
The £50,000 Breakfast is a Cathy Gale-era episode (Death of a Great Dane) originally written by Roger Marshall and then reworked here by Brian Clemens into an Emma Peel-era one. And though it’s tempting to do a compare and contrast – as if to definitively nail the differences between
Closer co-operation between European countries is a good thing, right? That’s the idea driving Death’s Door, an episode with a mind-control theme and a jaunty spy-fi approach to what is essentially an espionage thriller plot. But before the Europhobes get all steamed up, the co-operation, though never quite spelled
When the British Film Institute celebrated 50 Years of Emma Peel in 2015, as well as interviewing the venerable Dame Diana Rigg – halfway through her run on Game of Thrones at the time – the BFI screened two episodes of Peel-era Avengers show. Return of the Cybernauts was one
