Cuties aka Mignonnes

Fathia Youssouf and cast

The day I watched Cuties, 24 September 2020, it had 21,348 votes on the IMBD user ratings. 16,355 of those were one star reviews. And then I remembered that the film been caught up in one of those social media shitstorms, with its distributor the focus of a #CancelNetflix campaign. The overall 2.7/10 rating looked like the result of an orchestrated hit. The campaign against the film drew support from across the political spectrum, though a trawl of Twitter suggests a lot of its supporters were outraged social conservatives. So much for Cancel Culture (a series of unrelated memes bundled together and then mis-sold as an actual culture) being an unsavoury aspect of … Read more

The War with Grandpa

Cheech Marin, Robert De Niro, Jane Seymour and Christopher Walken in a huddle

In 2016 Robert De Niro starred in Dirty Grandpa, as the titular disgusting (in lots of ways, but mostly sexually) senior giving uptight grandson Zac Efron lessons in letting it all hang out. It was a funny film, though a 5.9 rating on the imdb (as I type) suggests that not everyone loved it. I didn’t love it either, but a few good gags and a suggestion that even the oldies like to part-ay is, in these frigid times, enough for me. The War with Grandpa was made one year later and then sat on a shelf for three more, thanks to the Harvey Weinstein scandal (the Weinsteins were set to distribute it). … Read more

The Avengers: Series 5, Episode 16 – Who’s Who???

Lola and Emma in a mind-swap machine

The Nicolas Cage/John Travolta film Face/Off might perhaps have borrowed its central idea from Who’s Who???, a crackingly conceived episode of The Avengers built around the idea of a mind-swap between Steed and the dastardly Basil (Freddie Jones). There’s a bit plot business before we get to the big central idea – we are introduced to Basil and sidekick Lola (Patricia Haines) deliberately killing “one of our very best agents”, in the words of the original and as-yet-unaltered John Steed, expressly with the intention of flushing Steed and Peel out into the open to steal their identities. But nothing really held my interest until what looked like an old radar console from a … Read more

The Avengers: Series 5, Episode 15 – The Joker

Ronald Lacey and Diana Rigg

The creeping feeling that The Avengers is running out of puff is further reinforced by The Joker, a rewrite of the Cathy Gale-era episode Don’t Look Behind You. Except in this case it’s Emma Peel who is stalked by an admirer with a deadly agenda. It was a very good episode first time round and works its magic this time too. But before Mrs Peel can be sent off for a weekend at the house of bridge-playing Sir Cavalier Rusticana – Steed jokes that it sounds like an opera (hardly surprising since the joke name is modelled on the opera Cavalleria Rusticana) – first we see a mystery hand cutting a picture of … Read more

Sibyl

Sibyl in clingy sexy black dress

Billed as a drama, Sibyl is in fact a tragic comedy, a brilliantly dry and pitiless one, Kafkaesque in its analysis of a person in self denial and also Kafkaesque in being almost opaque until that “ah-haa!” moment comes along. Director and co-writer Justine Triet, a fan of Hitchcock and Polanski, dives right in. Even before the opening credits we’ve met Sibyl, a shrink and former novelist who now wants to get back in the writing game. “Don’t do it,” boiled down, is the advice she gets from an old editor friend. But Sibyl does it anyway. Sibyl (Virginie Efira) is also a recovering alcoholic who really shouldn’t have another drink, and certainly … Read more

The Avengers: Series 5, Episode 14 – Something Nasty in the Nursery

John Steed in a toy shop

Clive Dunn, Paul Eddington, Yootha Joyce and Penelope Keith – four of the biggest names in 1970s British TV comedy – were relative unknowns when Something Nasty in the Nursery aired in April 1967. But their presence is further proof, if any were needed, that The Avengers had slewed well towards the lighter end of the entertainment spectrum. Writer Philip Levene’s Avengers scripts are often concerned with class at some level. That proves to be the case in a story about men – not just any men but powerful men “from the best family; they’re British to the core” as a defence chief tells Steed and Peel – reduced to infantilism by some powerful … Read more