Reviews
Midnight Sky continues George Clooney’s fascination for sci-fi, a rocky relationship that’s only really yielded one proper old fashioned hit – Gravity. Both Solaris and Tomorrowland seemed to fall into the dark hole between reviewer favourite and audience hit. Unbowed, Clooney plugs on, directing here, and trying something rather bold as he attempts to weld the … Read more
Madness indeed. A Page of Madness was made in 1926 on next to no budget, by a talented director aided by a group of demented avant-garde writers called the Shinkankakuha, who were determined to break free from the shackles of naturalism. For many years it was considered lost, until its director, Teinosuke Kinugasa, found a … Read more
I Love Trouble is The Rockford Files, or a dry run at it, give or take. If you don’t know what The Rockford Files is, that means you’re not ancient, so well done you. It’s the TV show where James Garner played a dog-eared detective raising a wounded eyebrow as he got beaten up week … Read more
The Duellists is Ridley Scott’s feature debut and premiered in 1977, four years after his famous advert for Hovis bread (voted the UK’s favourite TV advert in a 2006 poll). Both are picturesque evocations of a world long gone – pre-War England, in the 45-second advert’s case, the world of post-Revolutionary France in the case … Read more
A thriller done without the genre defaults, Lost in the Night (Perdidos en la Noche) is a film by Amat Escalante, a director who likes it bright and wide, slow and considered – more or less the opposite of the usual dark, claustrophobic, rapid and kneejerk. Does it work? No, but it’s a near miss … Read more
Like one of those Victorian novels that spends a chunk of time laying out its bona fides, Man Finds Tape does a lot of scene-setting early on, establishing the who and the what and the where. This all really happened, it insists. But this being the 21st century rather than the 19th, its claims to … Read more
Everyone loves Bill Nighy but he’d never really looked like Oscar material – unjustly – until Living came along. Too diffident. Too stylised. Too often wearing that same blue suit. What Nighy did was so effortless that it hardly seemed like acting at all, or at least the sort of acting that Oscar likes (snot … Read more
Sweet Smell of Success flopped at the box office on its debut in 1957, much as its producer, Burt Lancaster, feared it might. A dirty-underbelly-of-showbiz tale, like Sunset Blvd. and In a Lonely Place, it’s been redeemed by posterity, which often marks it as one of the finest noirs ever made, even though it doesn’t … Read more
Supernova is an admirably tight drama starring Colin Firth and Stanley Tucci. It gives us the who and the where immediately – Sam (Firth) and Tusker (Tucci), a long-established couple on holiday in the Lake District in one of those tiny RVs, a Fiat Autotrail, that offer all the creature comforts (cooking, sleeping, sanitation) a … Read more
The Corleones weren’t fictional. There really was a crime family called the Corleonesi, after the town in Sicily where they came from. In The Traitor (Il traditore in the original Italian) we learn what happened when the Corleonesi fell out with a fellow mob family, in a dramatisation of the true story of Tommaso Buscetta, … Read more
Here we are, Invasion of the Earthmen, the first Tara King episode shot by returning showrunner John Bryce, one of three he managed to get in the can before Brian Clemens and Albert Fennell again resumed control of The Avengers. This is not Bryce’s vision of the episode. Clemens has had a hack at it, … Read more
The Walking Target packs a lot of people and a lot of plot into its brief 74 minutes running time. That is a feature not a bug. It’s a story about a man freshly out of prison who is, as the prison governor tells Nick Harbin (Ron Foster) while reluctantly releasing him, a “walking target”. … Read more