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1947’s Shoot to Kill (aka Police Reporter) opens with a car crash. Two people dead. One is Lawrence Dale, the district attorney, the other a known gangster, Dixie Logan. The DA’s wife has somehow survived. But what were she and her husband doing in a car with Logan in the first place? From her hospital … Read more
Jessie Buckley does the acting and Paul Mescal once again plays Paul Mescal in Hamnet, a biopic of Shakespeare tilting the spotlight towards his wife, Anne Hathaway. Agnes, in fact, pronounced the French way, or that’s the way this sweet and salty adaptation of Maggie O’Farrell’s best-seller has it. Mescal, so often in a metaphorical … Read more
The title describes it exactly – Thirty Two Short Films about Glenn Gould is 32 short films about the celebrated pianist Glenn Gould, all directed by François Girard, who squeezes his compendium into just over 90 minutes. Which is pretty good going considering he’s covering quite a lot of territory and doing it in a … Read more
The terminal-illness weepie needs a firm hand or it can run off all over the place. Nowhere Special is a great case in point. Writer and director Uberto Pasolini keeps a tight grip, and James Norton’s impassioned but restrained performance is a thing of wonder. It’s so good that – as happens with proper acting – … Read more
For anyone convinced post-apocalyptic movies are a recent phenomenon, here’s Deluge, a remarkable film from 1933. It’s got all the stuff you might expect from a big disaster movie and some thoughtful stuff you might not. Some of it you might even recognise – the makers of The Day After Tomorrow paid direct homage to … Read more
If ringing the changes is the big challenge of genre cinema, Sirât pulls it off brilliantly. Occasionally the workings of writer/director Óliver Laxe’s mind are visible – how can I catch the audience off guard? Mostly they’re not. And that’s probably down to the people and the places – both unusual. It’s two genres in one, … Read more
Road House is a bad movie full of good things – yes, that is the sort of line often trotted out by the terminally indecisive or foolishly fixated when they don’t want to just come right out and condemn something. But in this case it’s true. Why it’s bad first: it’s a film suggesting it’s … Read more
100 Nights of Hero re-invents the One Thousand and One Nights, aka The Arabian Nights, aka the story of Scheherazade, making sex and gender dynamics more explicit even than they were in the original stories and packaging everything up like a gift of Turkish delight wrapped in gossamer, drenched in perfume, and then swaddled in … Read more
Thriller? Farce? A Woman’s Secret eventually collapses under the weight of its own indecision but until it does it’s a rapid-fire piece of brilliance, full of sparkling wit, weirdness, coded aberrant sexuality and lethal shenanigans including one woman trying to kill another, and that’s all in the first opening scenes. It was a flop, and … Read more
My first movie from 2026. And because it was released in January, I’m not expecting much of The Wrecking Crew. The prestige movies come at the back end of the year, so as to be fresh in the minds of voters when awards season gets underway (roughly, November to February/March). Not that The Wrecking Crew … Read more
Winston Churchill made his “iron curtain” speech on 5 March 1946. In late 1947, 20th Century-Fox went into production with The Iron Curtain, one of a rake of movies designed to prove to the House Un-American Activities Committee that its assertion – “subversive” Hollywood doesn’t make anti-communist films – was baseless. The fact that filming started … Read more
What sort of a supervillain has his secret lair in his girlfriend’s back garden? Why not his own turf? While we’re about it, why does Diabolik – the title of the film and the name of its antihero – lift so much of its plot from Fantomas, another European masked villain? If those are the … Read more
