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Soviet sci-fi from 1983, the year after Blade Runner, Moon Rainbow is as good an indicator as any of the gulf between the communist and capitalist blocs when it came to this sort of thing. The special effects are rudimentary and much of the actual sci-fi action takes place off screen! Bizarre. But if shots … Read more
Writer/director Angus MacLachlan has built a career mapping the dynamics of functional and dysfunctional families. A Little Prayer slots neatly in alongside earlier films such as 2014’s Goodbye to All That and 2017’s Abundant Acreage Available. You could add his stage play The Dead Eye Boy to the list. I’ve not seen any of them … Read more
Big acting is the offer in I Walk Alone, the first of many teamings for Burt Lancaster and Kirk Douglas, and the first directorial effort by Byron Haskin, up till this point an effects guy. Haskin delivers nuanced, psychologically attuned drama while Lancaster and Douglas go at it like fighting dogs. The whole thing is … Read more
Familiar Touch is Sarah Friedland’s gruesomely poignant feature debut, about a woman going into care because she’s old and losing her mind. Depending on your age it’s about people in your generation, or your parents’ or grandparents’. But no matter how far removed you feel from the events on screen, there’s a very good chance … Read more
Blood on the Moon sounds like it might be sci-fi. It’s directed by Robert Wise, who’d later do The Andromeda Strain and Star Trek: The Motion Picture. Without any other clue that would be a fair assumption to make. Until you learn it’s from 1948. Bit early for sci-fi. It’s a western, in fact, and … Read more
The highest-grossing home-grown live-action movie in Japan’s history, Kokuho is a decade-straddling epic about the sacrifices required to make great art, served up as a Jacob and Esau tale of two boys – one who has all the gifts, the other not so many. The twist being that the talented kid is the son of a … Read more
What is a man in capitalism if not his job? Costa-Gavras asked the question in The Axe (Le couperet) in 2005 in much the same way that Park Chan-wook did in 2025’s No Other Choice. Both are working from the same source material – Donald Westlake’s novel The Ax. Both come to pretty much the … Read more
Movies starring Mia Wasikowska used to make waves but when Club Zero came out in 2023 it did so to little fanfare and then more or less disappeared. This seems to be the way Wasikowska would like it. After a run including Alice in Wonderland for Tim Burton, Jane Eyre for Cary Fukunaga, Crimson Peak … Read more
Call Northside 777 tells the true story of a miscarriage of justice – Joseph Majczek framed for killing a cop in 1932 and sentenced to 99 years – and the crusading journalist from the Chicago Times who got the case overturned. The same story was the source material for Railroaded!, released the year before in 1947. … Read more
A remarkable “if these walls could talk” movie set in the same big farmhouse over the generations, Sound of Falling (In die Sonne schauen, in the original German), is a bold and hypnotic drama starting with the eye-catching image of a pretty young woman with one leg hobbling along on crutches. It turns out that … Read more
Matter-of-fact neorealism meets its opposite, torrid melodrama, in Senza Pietà, aka Without Pity. Remarkably, it’s a successful meeting of equals, probably thanks to director Alberto Lattuada’s decision to go at his material at breakneck pace. Whatever else you can accuse this film of, it isn’t slow or lacking in incident. It throws its two main … Read more
Timothée Chalamet spent five years in training for Marty Supreme, dragging a table-tennis table from one film to the next, so he could hone his skills by banging out a few games between takes. There’s lots of spare time on film sets, especially on the sort of big productions Chalamet has got used to appearing … Read more
