Latest Posts
We’re off to see the wizard – again – in Wicked: For Good, part two of the origin story of the bad and good witch, Elphaba and Glinda, from The Wizard of Oz. It remains fascinating politically – Glinda the Good is actually Glinda the Horribly Compromised. And the Wicked Witch turns out to be … Read more
When is a good time to tell your girlfriend that you’re just not that into her? Oh, Hi! suggests it probably isn’t when you’re in the middle of a light bondage session and you’re handcuffed to a bed. Yup. Stoopid. That’s the scenario that director Sophie Brooks and star Molly Gordon dreamt up while they … Read more
The House on 92nd Street is the sort of earnest propaganda movie Hollywood liked to pump out once in a while in the 1940s. It was made during wartime, so the justification is there, and it deals with a real case – the fifth column of Nazi-sympathising Americans working to overthrow their own government and … Read more
What would online life be like if actions had consequences like they do in the real world? That seems to be the motivating energy behind Kiyoshi Kurosawa’s Cloud (Kuraudo), an overlong but fascinating thriller yanking a thread that’s visible from the start, though it takes a while to realise that it’s there. Ryôsuke Yoshii (Masaki … Read more
3 Bad Men was John Ford’s last silent western, though it was obviously never billed as such (who knew, when it opened, that the silent era would end within a couple of years?). The unannounced end of an era was released in 1926 and Ford wouldn’t return to the genre until Stagecoach in 1939. It’s … Read more
A remake of Save the Green Planet!, a South Korean movie from 2003, Bugonia fiddles with details and genders but tells essentially the same story – conspiratorially minded eco-warriors kidnap a chemical industry boss convinced that there’s an alien invasion imminent and use torture to extract the vital details that will save planet Earth. Jang … Read more
The Chase is an “And Peter Lorre” movie from 1946, and though he’s not in it that much, he provides a good bit of the flavour of this very odd movie about a genial nobody who winds up in the employ of a psychopath, falls for his woman and then runs off to Cuba with … Read more
Arthouse discovers the rigours of genre in Reflection in a Dead Diamond (Reflet dans un diamant mort), a vogue-ing pastiche of Bond movies with a bit of Death in Venice. If you like the work of Hélène Cattet and Bruno Forzani, who have been doing this sort of thing for over 20 years, in films … Read more
The Life of Oharu is one of the Criterion Collection, which means it’s reckoned to be up there with the very best – by one outfit at least. The great director Lucile Hadžihalilović also rates it highly – it’s her favourite film by Kenji Mizoguchi and, she says, “the most poignant film I have ever … Read more
Rose Byrne has been acting since she was 15, but it wasn’t until If I Had Legs I’d Kick You that some people started noticing how good she is – no matter how much money movies like Bridesmaids or Insidious make, it takes a “serious” movie to unlock some people’s critical reward system. But she … Read more
Film noir on ice! Suspense is a bit of a mess and the critics didn’t like it much when it came out in 1946. But the years have added a touch of fairy dust and there’s enough in here to entertain and delight, plus some decent performances, fine noirish lighting and a sense of paranoia … Read more
Souleymane’s Story got lots of love on the festival circuit and made it onto quite a number of the Best Of 2025 lists. And yet it’s about the immigrant experience. I say “And yet” because, face it, your heart sinks a bit at the prospect of watching some poor sap having a relentlessly terrible time … Read more
