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Joker: Folie à Deux has madness in its title and in its conception – it’s a bold thought experiment that hasn’t translated into a good movie. If it had stopped at the half-hour mark I’d have said it was brilliant, a genius move, but it goes on and on with its attempt to weld the … Read more
“I almost like Liliom best of all,” Fritz Lang said in 1974 about the film he’d directed 40 years earlier. This from a director who invented whole genres (like the spy thriller), directed massive epics (Metropolis) and went on to dominate the crime drama with films like The Big Heat. Lang’s entirely atypical film about … Read more
There’s nothing really fast about Fast Charlie, a relaxed, medium-weight saunter through thriller territory in the company of some fine people. Pierce Brosnan, now in his 70s but still with the 007 swagger and nonchalance, plays Charlie, a fixer for an aged gang boss who winds up on the wrong side of a rival gang … Read more
The Dark Corner didn’t do too well when it debuted in 1946. There were too many other noirs around and it struggled to stand out from the pack. Now, though, it looks a lot better – its dark wit, snappy one liners and good cast help, plus the direction of Henry Hathaway, who knows how … Read more
Winner of the annual “most arthouse-movie-title award” – About Dry Grasses (Kuru Otlar Üstüne)? That academic “About”. The fact that it’s in Turkish. Over three hours long. By a director whose name many non-Turks struggle to pronounce. Exotica ahoy! The award is just a joke, but the movie is by Nuri Bilge Ceylan (roughly pronounced … Read more
A Kiss before Dying is the movie Robert Wagner made to solve the Prince Valiant problem – he was too pretty and too old-school in a Hollywood that had suddenly gone sweaty and Method, in a nutshell. Prince Valiant was the film he’d made two years earlier, camp nonsense about a Viking prince in the … Read more
100 Yards is directed by the Xu brothers, Haofeng and Junfeng, and it’s a great martial arts movie – though any more than that is a stretch. The martial arts sequences are spectacular, the fighting epic, the moves expertly choreographed and it’s shot the proper way – so you can see how good the combatants are … Read more
The question mark that hangs over Kiju Yoshida’s 1970 movie Heroic Purgatory is: is he joking? Is this a grand avant-garde modernist movie told in a deliberately non-narrative way, or is it Yoshida parodying the same, as if to pour scorn on an idea prevalent at the time – that you can’t break the bourgeois system … Read more
My First Film is not Zia Anger’s first film, and it isn’t a documentary either, which is what it sounds and looks like it’s going to be. Nor is it formidable, which its meta-sounding title suggests it might be. In fact it’s a surprisingly easy and enjoyable watch. Though it does start off in an … Read more
The Big Heat is one of the big movies of film noir – see The Big Sleep, The Big Clock, The Big Combo from the classic era, or The Big Easy, The Big Blue and The Big Lebowski from later on. Weak joke aside, it’s big in the other sense too, being important, pivotal, epochal … Read more
Films about pretty young people dying miserably of some terrible but usually not disfiguring condition can be a bit of a drag. Tuesday writer/director Daina Oniunas-Pusić has found a way of injecting a bit of zip – adding a bit of the weird supernatural. We’re told from all the publicity that Julia Louis-Dreyfus is the … Read more
Modern film-makers could learn a lot from Bride of Frankenstein and its illustrious predecessor, 1931’s original Frankenstein, not least how to tell a story at speed. And the amazing thing is that director James Whale took the finished cut of his sequel, a tight 90 minutes, and took a further 15 minutes out of it … Read more
