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Aleksandr Kuznetsov as Kornev
Two Prosecutors

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What happens when a state goes mad and its leader starts to behave like a king, ruling by whim? Two Prosecutors (aka Zwei Staatsanwälte) is asking that big question right from its opening frame, in which state prosecutor Kornev (Alexander Kuznetsov) arrives at a 1930s Soviet gulag and asks to see a prisoner. Other countries/regimes … Read more

Terence Stamp as Willie
The Hit

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A US remake has long been mooted but has never happened, but would it be any better than the original 1984 The Hit, Stephen Frears’s second non-TV movie? I doubt the casting could be any better – Terence Stamp as Willie Parker, a lag who squealed years before who’s now been tracked down to Spain by … Read more

Florence Ordesh as hotel worker Fiona
Hokum

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The success of the TV show Severance seems to have woken up the weird in Adam Scott, who used to make more films like Damian McCarthy’s Hokum back in the day. Which is to say – small-scale, offbeat, the path less trodden, relying on mood and atmosphere to do the storytelling. He plays a writer … Read more

Singer Carmen, agent Manolo and deaf mayor Don Pablo
Welcome Mr Marshall!

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How should the world respond to the fact of America? Welcome Mr Marshall! (aka Bienvenido Mister Marshall!) is often rated as one of the best Spanish films ever made and retains its relevance – even though it was made in 1953 – because the fundamentals remain unaltered. America is still a mighty power, Spain relatively subordinate. … Read more

Benjamin Voisin as Meursault
The Stranger aka L’Étranger

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Albert Camus always rejected the queer reading of his novel L’Étranger, but director François Ozon insists on it in his adaptation. One of the urtexts of existentialism known for its blank refusal of emotion, the book famously opens with its antihero coolly announcing the death of his mother. Ozon’s Meursault (no cosy first name), for … Read more

Lloyd Nolan and Phyllis Kennedy
Time to Kill

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In one hour 1942’s Time to Kill achieves what a lot of much longer films fail to do. It delivers a story while painting a picture of a time, a place and the people in it, and is highly entertaining, amusing and dramatic. The fact that it’s based on a Raymond Chandler story helps – … Read more

A ghostly image
Skinamarink

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My parents used to say “Skinnymalink” rather than “Skinamarink”. As affectionate insults go I suppose it was better than one alternative description, which was “long streak of piss”. The dictionary tells us the word has something to do with an old Scottish children’s song, Skinamalinky Long Legs, which (to vary the spelling yet again) went: … Read more

Marie Laforêt
Tangos, the Exile of Gardel

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You don’t have to know who Carlos Gardel is for El Exilio de Gardel: Tangos (aka Tangos, the Exile of Gardel) to work its magic. Nor do you need to know much about the political situation in Argentina in the 1980s to be affected by the film. You can just watch it for its fabulous … Read more

The younger girlfriend and a bewildered George at a bar
Eagles of the Republic

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I thought I spotted hints of conspiracy thriller The Parallax View in Tarik Saleh’s Eagles of the Republic, last of his so-called Cairo trilogy. So I asked AI – yes, it replied, Saleh has acknowledged the debt to Alan Pakula’s 1974 film. So satisfying when that happens…  Which is to say this is a political … Read more

Archibaldo menaces a waxwork Lavinia

In typical fashion, Luis Buñuel turns the crime drama on its head in The Criminal Life of Archibaldo de la Cruz (originally Ensayo de un crimen), a story about a killer who isn’t a killer admitting to crimes he didn’t commit because he’s convinced he somehow perpetrated them. Being a Buñuel film there’s also a … Read more

Nino, isolated in a crowd
Nino

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The weepy illness movie is a potentially irksome beast. It’s just too easy to stick a sick person on screen and ask us to pity them. Nino doesn’t play it that way. The film follows a diffident young man from the moment he receives a diagnosis of throat cancer over the long weekend leading up … Read more

Youssef Chahine as Kenawi, staring at some knives
Cairo Station

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Now considered a beacon of the nation’s cinema, Cairo Station got a hugely negative reaction in Egypt when it came out in 1958. Audiences raised on a diet of stylised melodrama just weren’t ready for something so raw. Mostly in the Italian neorealist tradition, it ducks back into melodrama towards the end of its very … Read more

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