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What happens when a state goes mad and its leader starts to behave like a king, ruling by whim? Two Prosecutors (aka Zwei Staatsanwälte) is asking that big question right from its opening frame, in which state prosecutor Kornev (Alexander Kuznetsov) arrives at a 1930s Soviet gulag and asks to see a prisoner. Other countries/regimes … Read more
A US remake has long been mooted but has never happened, but would it be any better than the original 1984 The Hit, Stephen Frears’s second non-TV movie? I doubt the casting could be any better – Terence Stamp as Willie Parker, a lag who squealed years before who’s now been tracked down to Spain by … Read more
The success of the TV show Severance seems to have woken up the weird in Adam Scott, who used to make more films like Damian McCarthy’s Hokum back in the day. Which is to say – small-scale, offbeat, the path less trodden, relying on mood and atmosphere to do the storytelling. He plays a writer … Read more
How should the world respond to the fact of America? Welcome Mr Marshall! (aka Bienvenido Mister Marshall!) is often rated as one of the best Spanish films ever made and retains its relevance – even though it was made in 1953 – because the fundamentals remain unaltered. America is still a mighty power, Spain relatively subordinate. … Read more
Albert Camus always rejected the queer reading of his novel L’Étranger, but director François Ozon insists on it in his adaptation. One of the urtexts of existentialism known for its blank refusal of emotion, the book famously opens with its antihero coolly announcing the death of his mother. Ozon’s Meursault (no cosy first name), for … Read more
In one hour 1942’s Time to Kill achieves what a lot of much longer films fail to do. It delivers a story while painting a picture of a time, a place and the people in it, and is highly entertaining, amusing and dramatic. The fact that it’s based on a Raymond Chandler story helps – … Read more
My parents used to say “Skinnymalink” rather than “Skinamarink”. As affectionate insults go I suppose it was better than one alternative description, which was “long streak of piss”. The dictionary tells us the word has something to do with an old Scottish children’s song, Skinamalinky Long Legs, which (to vary the spelling yet again) went: … Read more
You don’t have to know who Carlos Gardel is for El Exilio de Gardel: Tangos (aka Tangos, the Exile of Gardel) to work its magic. Nor do you need to know much about the political situation in Argentina in the 1980s to be affected by the film. You can just watch it for its fabulous … Read more
I thought I spotted hints of conspiracy thriller The Parallax View in Tarik Saleh’s Eagles of the Republic, last of his so-called Cairo trilogy. So I asked AI – yes, it replied, Saleh has acknowledged the debt to Alan Pakula’s 1974 film. So satisfying when that happens… Which is to say this is a political … Read more
In typical fashion, Luis Buñuel turns the crime drama on its head in The Criminal Life of Archibaldo de la Cruz (originally Ensayo de un crimen), a story about a killer who isn’t a killer admitting to crimes he didn’t commit because he’s convinced he somehow perpetrated them. Being a Buñuel film there’s also a … Read more
Now considered a beacon of the nation’s cinema, Cairo Station got a hugely negative reaction in Egypt when it came out in 1958. Audiences raised on a diet of stylised melodrama just weren’t ready for something so raw. Mostly in the Italian neorealist tradition, it ducks back into melodrama towards the end of its very … Read more