Steve

What We Wanted

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Niklas and Alice with their neighbour's daughter

What We Wanted (Was Wir Wollten in the original German) is the story of a late-30s Austrian couple who signed up to be together, have kids, the whole kit and caboodle, trying to renegotiate their relationship after their fourth round of failed IVF treatment. We meet them just as they’re getting the bad news in the IVF clinic. But their other problem, and what this exquisitely crafted film is about, is that they have never really had “the conversation”, never really hashed out, possibly in horrible recriminatory detail, why they can’t have kids, who’s to “blame” and where they go from here – what they wanted, what they want now and what they … Read more

La Llorona

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María Mercedes Coroy

La Llorona is a figure in Mexican folklore, a tragic ghostly beauty dressed in white clothes who haunts the world she once lived in, having drowned first her own children and then herself. You can find a faint echo of La Llorona in the Wilkie Collins novel The Woman in White, but though The Woman in White has been turned into several movies, TV series and an Andrew Lloyd Webber musical, it’s never really taken hold in the anglosphere quite the same way as La Llorona has with Spanish speakers – in fact there were two other movies based on the myth in production when this La Llorona debuted. I mention all that because … Read more

Stories from the Chestnut Woods

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Massimo De Francovich as Mario

Stories from the Chestnut Woods could so easily have been a misery memoir or poverty porn but thankfully it’s not. Instead director/writer Gregor Bozic has crafted an elegiac film of real beauty and poignancy. It’s set on the border where old Yugoslavia (now Slovenia) meets Italy, a region that’s been in decline for a long time and, judging by most of the houses and the people in them, has seen better days. The people who are left are either old, or they’re young and have a plan to get out quick and take advantage of the prosperity that’s transforming much of the rest of Europe in the post Second World War era. Mario … Read more

The Commuter

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Liam Neeson between two train carriages

Liam Neeson. A Very Particular Set of Skills. They’re back in The Commuter, in which everyone’s favourite geri-actioner gets physical… this time on a train. This is the fourth collaboration between Neeson and director Jaume Collet-Serra, after Unknown (Skills in Berlin), Non-Stop (Skills on a plane), Run All Night (Skills in New York) and now Skills on the way home from work. If it seems like there have been a lot more of these films than that, you’re probably also adding Taken (three of them) and Walk Among the Tombstones to the tally. They were directed by different people but also featured a gravelly, unsmiling Neeson being forced into a corner and then coming … Read more

Song Without a Name

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Pamela Mendoza as Georgina

Song Without a Name is the first feature from Peruvian director Melina Léon, who has made a beautiful but grim drama which can’t quite live up to its early promise. The beauty comes from the look of it all – shot in black and white, fantastically lit, framed in the Academy format with the image dropping off as it bleeds towards the edges. It’s a thing to behold. The grimness comes from the story at its heart – of a pregnant 20-year-old peasant girl who is lured by radio adverts to a “philanthropic” clinic and then has her newborn baby stolen from her by the doctors and nurses. She never sees the baby and nor … Read more

The Dark and the Wicked

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Marin Ireland

Some horror directors favour the balls-out approach of a high concept, others go down the skill route. Call it art v craft or wit v cunning. Then you get directors who manage both – Sam Raimi went down the the first path with Evil Dead and down the second with Drag Me to Hell. The Dark and the Wicked is writer/director Bryan Bertino’s fourth horror movie after The Strangers, Mockingbird and The Monsters. And if none of the others set people alight, they did at least give Bertino the space to make some mistakes and learn how to make a horror movie properly. That all comes good here, with a film that’s not … Read more

Lucky Grandma

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Tsai Chin as lucky grandma

There’s a silent movie quality to Lucky Grandma, the story of a Chinese grandmother in New York’s Chinatown who gets tangled up with the Triads and somehow (OK, improbably) comes out on top. But first let’s meet Grandma, played superbly by Tsai Chin (86 when this was made, though she could easily be 15 years younger) as a Buster Keaton-style stone-faced senior, smoking smoking smoking the entire time, partly just because she wants to, partly, we suspect, as a rebuke to a world that is increasingly infantilising her. One of the places where she isn’t infantilised is the casino, where we follow her just after she’s turned town her caring son’s offer of … Read more

Kajillionaire

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Old Dolio, Theresa and Robert crouching to avoid being seen

There’s a lot to like in Kajillionaire, apart from the film itself, since what it boils down to is a story of child abuse told in a tone so wilfully whimsical that it’s hoping to sell itself as a comedy. The abused party is Old Dolio, a bizarre name for a child, daughter of a pair of grifters whose bar is set so low that their regular gig is to steal mail from the post office and just chance to luck that there’s something in there. The parents don’t see themselves as bottom feeders, more as revolutionaries who have rejected the blandishments of modern capitalism – where everyone wants to be a “kajillionaire” … Read more

Gemini

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Kindly Yukio stuck in the well

Gemini director Shinya Tsukamoto was about 30 when he made his most infamous film, Tetsuo, which featured a man turning into a kind of scrapyard monster, complete with gigantic revolving hydraulic penis. Ten years later in 1999, nudging 40, here he is calmed down a touch, but not that much if the opening shots of Gemini – maggots crawling in meat, bedraggled rats feasting on what looks like an animal head – are anything to go by. Don’t expect restraint, in other words. Though there is a lot of taste and gorgeousness on display in Tsukamoto’s camerawork in early scenes as we meet a kindly noble doctor, his parents and beautiful amnesiac wife in … Read more

Friendship’s Death

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Bill Paterson and Tilda Swinton

There’s been a slight revival of interest in Peter Wollen’s Friendship’s Death since the London Film Festival chose it as one of the items they wanted to pluck from obscurity by showcasing it in their 2020 Treasures section, alongside films such as The Cheaters, an Australian silent thriller from 1929, and Chess of the Wind (aka Shatranj-e Baad), a 1976 film shining a light on pre-revolutionary Iran. Beside that lot Friendship’s Death – British, from 1987 and starring quantities Bill Paterson and Tilda Swinton – seems a bit of a damp squib, even if it was one of film theorist Wollen’s few directorial credits. A loose description isn’t likely to cause priapic excitement … Read more