Review

The Golden Glove

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Fritz outside the Golden Glove

Should a serial killer movie sympathise with its killer? The Golden Glove (Der Goldene Handschuh) comes perilously close to going all-in with real-life killer Fritz Honka (Jonas Dassler), who killed four women in Hamburg between 1970 and 1974 and then hid their body parts in his attic. Grim, seedy, sleazy, disgusting, vile, the negative adjectives have piled up in discussions about this undoubtedly brilliantly made movie. I’d go for “pitiless” or “cosmically ironic”. More verbosely, it’s a cool exercise in the manipulation of the human tendency to imprint (like a duckling for the first “mamma” object it sees on hatching) suggesting the omnivorous writer/director Fatih Akin has been watching Park Chan-wook’s Vengeance trilogy … Read more

His House

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Rial screaming

Let’s do a refugee drama, which no one wants to watch, as a haunted house movie, which everyone does. That’s the thinking behind His House, a canny mix of genres from writer/director Remi Weekes in his feature debut, which adds a further layer of originality by adding all sorts of weird African supernatural juju to the mix. This clever and atmospheric amalgam kicks off with a pair of refugees from the war in South Sudan being shown a house on a housing estate in shithole Britain. It’s loads better than the detention centre and so Bol (Sope Dirisu) and his wife Rial (Wunmi Mosaku) cannot believe their luck. They move straight in. Of … Read more

The 400 Blows

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Jean-Pierre Léaud as Antoine

The 400 Blows is a monster classic of the French New Wave with a meaningless title, a literal translation of the original French Les 400 cents coups. “Raising hell” would be a more idiomatic way of putting it and the original US subtitler even suggested Wild Oats. But the distributor preferred to stick with the literal and more enigmatic (in English anyway) translation. The Wild Oats being sown, the Hell being raised, the 400 Blows being struck are by the central character, Antoine (Jean-Pierre Léaud) modelled on director/writer François Truffaut himself, a kid kicking against the pricks at home, at school, getting into trouble with the law, playing hooky to go to the … Read more

Collective

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Journalists Mirela Neag and Catalin Tolontan

There’s an All the President’s Men structure to the Romanian documentary Collective (Colectiv), with the initial field of inquiry opening up a wormhole down which the investigation dives, to find that an alternate universe has been hiding in plain sight all along. The story starts out with the bare facts, shocking enough in themselves, of a fire in a night club called Colectiv, which killed 27 people and injured many more. In the following months a further 37 people died, mostly of infections picked up in Romania’s sub-standard hospitals. Public anger initially focused on the lack of fire exits in the club and the lack of regulation by the authorities, but then shifted … Read more

The Hidden Fortress

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Princess Yuki and General Makabe

The Hidden Fortress is a film by Akira Kurosawa and just that fact alone – “a film by Akira Kurosawa” – is enough to get it bracketed as an arthouse movie. Which is entirely ridiculous if you watch it, because there’s nothing difficult or abstruse going on here, no philosophical musing, no challenging style experiments to overcome or difficulties over character, plot or chronology. It’s an out and out Saturday evening adventure movie with action, comedy, a pretty girl and a strapping hero. It’s that aspect of it, its entertainment value, that first attracted George Lucas to it when he was first scoping out his first Star Wars film. Great though Star Wars is, … Read more

Support the Girls

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The cast of Support the Girls

Support the Girls is an Andrew Bujalski film and so comes loaded with expectation. He’s often cited as the “inventor of mumblecore”, the go-to genre for white hipsters of a certain age, the cultural late arrival at a party already full of shoegazey indie bands. Since breaking into the scene with 2002’s Funny Ha Ha and consolidating his status with Mutual Appreciation, Bujalski has edged away from the brand he helped build. Beeswax disappointed many fans because it looked like an attempt to go mainstream. Then Computer Chess came along, a “revenge of the mumblecore” movie about chess-playing nerds. Bujalski vindicated. Results was another shot at a Bujalski-meets-Hollywood movie, a look at the … Read more

Glory

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Margita Gosheva as Julia

Slava is a brand of workaday watches once common behind the Iron Curtain, and certainly in Bulgaria where the 2016 movie Glory (Slava in both Russian and Bulgarian) is set. Like The Lesson (Urok), the previous film by Kristina Grozeva and Petar Valchanov, it’s a tragedy done as a kind of dry comedy of manners in which the ramifications of a petty foible, a tragic flaw on a tiny scale, are worked through to a pitiless conclusion. The Lesson’s Margita Gosheva and Stefan Denolyubov also star, she as a PR wonk who works at the ministry of transport; he as the solitary railway worker who finds a big cache of money on the … Read more

Long Day’s Journey into Night

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Luo walks the city streets

First things first: Long Day’s Journey into Night has nothing at all to do with the Eugene O’Neill play of the same name, or with any of the movie spinoffs. Confusion piled on confusion, or possibly mischief-making, when Gan Bi’s film first debuted in China, where it was marketed as a big multiplex romance, when in fact it is a beast of a very different colour. Audiences, to say the least, were not amused. There isn’t much of a plot in this bizarre dreamy mystery, but what there is concerns a guy whose father has just died taking up the search for a woman he knew 20 years before. The one who got … Read more

This Is Not a Burial, It’s a Resurrection

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Mary Twala Mhlongo

Against the assertion of the title, This Is Not a Burial, It’s a Resurrection does look like more like a death than a reanimation, of an individual, a way of life and a group of villagers in Lesotho who are being relocated before their village is flooded to make way for a dam project. It’s an impressive film in pretty much every respect, and it’s entirely understandable why the country decided to submit it for Oscars consideration, something they’ve never done before. This Burial/Resurrection idea is handled almost as a kind of dry joke, since the film’s focus is an old woman who spends the entire film trying to die, after learning of … Read more

100 Years of… The Cabinet of Dr. Caligari

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Caligari wakes up Cesare

Released in Germany in 1920 but not given an international debut until April 1921, in New York, German director Robert Wiene’s The Cabinet of Dr. Caligari has gone down in history as one of the most important films of the era, and the most important German expressionist film of all time. You can see its influence everywhere, in Citizen Kane, The Third Man and Shutter Island, to grab a trio of obvious borrowers, but though it’s much talked about, how many people have actually seen it? What might come as a surprise 100 years on is that it didn’t meet universal acclaim at the time. Cultural historians still argue about whether it was … Read more