Contraband

Valerie Hobson in a hat and with a cigarette in her hand

Powell and Pressburger’s second collaboration, 1940’s Contraband (aka Blackout) is a knockabout knock-off of Hitchcock’s The 39 Steps – two people yoked together against their will, a Nazi cell and so on – which also goes large on Hitchcock’s light-hearted energy and his fondness for a set piece. Conrad Veidt and Valerie Hobson had both been in P&P’s first collaboration, the previous year’s The Spy in Black, and this time around play a couple charging around London under blackout conditions. She’s a spy who stole the shore passes issued to Veidt’s Captain Andersen, a Danish sea captain whose freighter has been impounded by the British authorities. He’s keen to get them back and … Read more

All Through the Night

Jane Darwell with Humphrey Bogart

An entertaining fruit cocktail, All Through the Night was one of a raft of propaganda movies Hollywood made to try and turn isolationist American public opinion in favour of entering the Second World War. In the end it didn’t matter. By the time the film came out in early 1942, Japan had bombed Pearl Harbor, Hitler had declared war on the United States and President Roosevelt had decisively taken his fellow Americans into the fray. It’s a Warner Bros movie, full of Warner players, with Humphrey Bogart leading the pack as Gloves Donahue, a wiseguy gambler with a heart of gold, the sort of guy who makes a lot of money but is … Read more

The Spy in Black

Captain Hardt with gun in hand

Known in the USA as U-Boat 29, The Spy in Black is the better and the original title of the first film made by the powerhouse pairing of director Michael Powell and writer Emeric Pressburger. If that was all it had to offer it would be worth a look. But it is also a tight and thrilling spy caper bubbling with a typical Powell and Pressburger humanity. It was made when the Second World War looked obvious and opened in the UK in 1939 as war was breaking out. Its star is Berlin-born Nazi-hating Conrad Veidt, who plays Ernst Hardt, a German U-Boat captain who arrives under cover of the night on a … Read more

Waxworks

Harun Raschid, Ivan the Terrible, Rinaldo Rinaldini and Jack the Ripper

In probably the best condition it’s ever going to be seen, the Eureka Masters of Cinema 2019 restoration of Waxworks is a good 25 minutes shorter than the German original, all trace of which has disappeared. Instead, the Deutsche Kinemathek and Cineteca di Bologna took a surviving print from the British Film Institute and, using elements scavenged from around the world, put together this assemblage for a 2K restoration reinstating the original colour tinting. It’s a historically important film but also a vastly entertaining one, and if you’re a fan of German expressionism, it’s probably required viewing.  The original German title, Das Wachsfigurenkabinett, is a clear nod to The Cabinet of Dr Caligari, … Read more

100 Years of… The Cabinet of Dr. Caligari

Caligari wakes up Cesare

Released in Germany in 1920 but not given an international debut until April 1921, in New York, German director Robert Wiene’s The Cabinet of Dr. Caligari has gone down in history as one of the most important films of the era, and the most important German expressionist film of all time. You can see its influence everywhere, in Citizen Kane, The Third Man and Shutter Island, to grab a trio of obvious borrowers, but though it’s much talked about, how many people have actually seen it? What might come as a surprise 100 years on is that it didn’t meet universal acclaim at the time. Cultural historians still argue about whether it was … Read more