Popular Features
100 Years of… Lady Windermere’s Fan
Mary Pickford once described the director Ernst Lubitsch as a “director of doors”. In Lady Windermere’s Fan, an adaptation of Oscar Wilde’s play, you can see what she means. She meant it dismissively, though the door, and what’s behind it – or not – is key to Lubitsch’s work generally, and specifically here. This is a story all about secrets – as Wilde’s so often were – a tale of mistaken identity with ironic distance between what the people on the screen imagine themselves to be and how the audience sees them. To thumbnail-sketch a delicately intertwined plot, it centres on Lady Windermere, who is in love with her husband but being pressed … Read more
The Best Films of 2015
There’s a tendency among people who watch a lot of films to boost ones that stand out rather than ones that are good. This can lead to some perverse choices in the “best of” lists that proliferate at this time of year. So that probably explains the rogue nature of the list below – ha ha. If you’re expecting to find Spectre (not at all bad) or the latest Marvel movie or Jurassic World, look elsewhere. These are just the films, of the maybe 350 films or so that I’ve watched in the past 12 months, that jumped out and grabbed me. Some of them are 2014 releases. Ten Best Paddington (dir: Paul … Read more
The Olsen It’s Cool to Like
Elizabeth Olsen, younger sister of those squeaky Olsen twins, is going into the family business. Is the business ready for her? Is our interviewer? One of the hazards of this journalism game, particularly if you’re a middle aged man, is meeting attractive young female actors in the interview situation. They’re likely to look at you intently, laugh at your feeble stabs at humour, lean towards you confidentially, look interested. And of course they’re in the acting game, so being plausible is a large part of what they do. It’s unbelievably easy to believe these bundles of talent and hotness fancy you. It’s a frequent occurrence to leave the interview completely smitten. Take Elizabeth … Read more
100 Years of… La fille de l’eau aka The Whirlpool of Fate
Nothing wrong with a nepo baby if they’re actually any good. La fille de l’eau (aka The Whirlpool of Fate, sometimes known as The Girl of the Water) is Jean Renoir’s first feature film, shot when he was 31, using Paul Cezanne’s property as a location and financial assistance from the estate of his own dad, the painter Pierre-Auguste (flogging one of dad’s paintings often came in handy in the early days). What he gives us is a lyrical and beautiful film harking back to the Impressionist/Post Impressionist style of Renoir Sr, Cezanne et al and forward to Renoir Jr’s own deliciously pretty films of the 1930s. What you don’t get is much … Read more
100 Years of… The Plastic Age
There was barely any plastic around in 1925 when The Plastic Age debuted. “Plastic” in this context has its original sense of something easily moulded – “rendering the material more plastic”, my dictionary offers as an example. That “material” in this case is a young man and his “Age” is the reason he’s so biddable, labile, impressionable, easily influenced – see your thesaurus for more synonyms. Donald Keith plays the dude, Hugh, a young man off to college where, his parents hope, he’ll keep the family end up and fulfil himself as a sportsman of track and field (no one at this college seems to do any studying). But instead of knuckling down … Read more
100 Years of… Go West
Because Go West came out in in the middle of Buster Keaton’s hot run, it’s often bracketed with the rest of them – The Three Ages, Our Hospitality, Sherlock Jr, The Navigator and The General. But Go West isn’t conceptually brilliant, like Sherlock Jr is. Nor is the 1925 feature a compendium of brilliant sight gags, like The General. Instead, Keaton settles for making relentless fun of his character, billed only as Friendless, in a story following a hungry and penniless man initially to New York City. New York turns out to be a bad idea – Friendless is literally crushed underfoot by the teeming crowds – and so he decides to heed the advice … Read more
Zorro: Who Is That Masked Man?
The Mexicans like their heroes the way they like their tacos – with cheese. Enter Zorro. Cue mask, cape and ludicrous pencil moustache Next time you’re in London, try the Robin Hood Zorro restaurant in Hammersmith. This oddly conceived English/Mexican hybrid serves an equally odd drink called the Robin Hood Meets Zorro cocktail. A mouthful to order and a hell of a thing to drink, it contains tequila, gin and beer. The menu doesn’t say it’s served with a bucket, but it probably should be. What is it about Zorro that seems to bring out the naffness in … well, everything? It was not always thus. Dial back to the mists of the … Read more
Build Your Own Bond
Tired of waiting for the next 007 movie to open? Here’s a solution that even Q would find fiendishly ingenious His name might be Bond, James Bond but at the beginning of 2011 the studio responsible for the most successful franchise in spy movie history found itself in dire straits. It was broke, dead broke. It looked like the mighty roar of the MGM lion was about to be silenced forever. In the event last minute refinancing bailed the studio out and, to the joy of fans everywhere, Bond 23 returned from an enforced layover and went back into production. But for diehards who’d been expecting Daniel Craig back in 2011, the news … Read more
100 Years of… Dr. Mabuse the Gambler
An important film rather than a good one, at four and a half hours Dr. Mabuse the Gambler (Dr. Mabuse, der Spieler) is simply too unwieldy to qualify as a quality movie and yet it regularly ranks up there with the best of them, bolstered by the reputation of its director, Fritz Lang, who, whisper it, could turn out some real rubbish when his mind wasn’t on his work. Dr. Mabuse the Gambler is not rubbish though. And in spite of the reservations about its length, this silent behemoth from 1922 is a remarkable document in many ways, though a heavy one, in which Lang lays down the template for all the bad … Read more
Ten Films About Paedophiles
Paedophilia, or pedophilia if you prefer the spelling that’s probably going to win out, is not a pretty thing. In the media and in culture more widely it’s usually portrayed as a case of a rogue male preying on unknown children. In truth it’s much more likely to be about dad having sex with his little princess. For years. However, let’s not allow facts to get in the way of a decent bogeyman. Or boogeyman if you prefer the spelling that’s probably going to win out. The Woodsman (2004, dir: Nicole Kassell) Kevin Bacon plays the sex offender, fresh out of prison, whose temporary lodgings are right across the road from a school. … Read more
100 Years of… Coeur Fidèle
The first thing to say about Coeur Fidèle (aka The Faithful Heart) is how brilliantly good the image is on this 100-year-old movie. I watched the Eureka Masters of Cinema version and it’s excellent. It’s important that it’s good because this is a highly visual movie. It certainly won’t win awards for storytelling. Wikipedia says it was written in a day, to which the response is surely “you don’t say”. Marie is an orphan girl who skivvies at the bar of her foster parents. She is in love with Jean, a local docker, but is being courted by Petit Paul, a brutish drunkard. After her adoptive parents give her to Paul, Jean and … Read more
The Curious Return of Douglas Sirk
What is it about a film-maker who died around 25 years ago in obscurity that fascinates a new generation of directors? The director Douglas Sirk died in 1987 aged 90. Born in Hamburg as Detlef Sierck, he became well known for his string of lush melodramas made in Hollywood in the 1950s. Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1957), A Time to Love and a Time to Die (1958) and Imitation of Life (1959) are considered his key works. The French “auteurists” were the first to start the re-assessment of Sirk in the late 1950s – the distinctive look of his films marking them out as … Read more
