Latest Posts
21 September 2015-09-21
Out This Week The Goob (Soda, cert 18) Films like to suggest that life is rawer, more elemental away from the cosmopolitan, metrosexual centres of civilisation. And in British films there’s often a suggestion that out in Norfolk, especially, things tend towards the Wild West. It was apparent in 1996’s Dad Savage, a film largely unseen except by Star Trek nuts, who seek it out to watch Patrick Stewart in a Stetson. And we get that with knobs on in The Goob. It’s a terrible title, but the film itself is excellent, a High Noon kind of affair about a lad having a showdown with his own stepfather (a loose use of a … Read more
14 September 2015-09-14
Out This Week Marshland (Altitude, cert 15) A mismatched-buddy-cop drama set in Spain’s Guadalquivir Marshes – delivering a bit of Beasts of the Southern Wild watery otherness – and marked out by several outstanding features. No, not the murder, of two sexually active teenage girls. That’s pretty standard. Nor the reason why they were murdered. Again, not much to see here. Instead it’s the exquisite looks captured by director Alberto Rodriguez and cinematographer Alex Catalán, who lay lush images over a slow, almost ambient soundtrack to create an almost hypnotic effect. This is totally, brilliantly, at odds with the tacitly antagonistic relationship between the two men, who, in 1981 Spain, a country new … Read more
The Devil Wears Prada
The sort of film that has an inbuilt media audience – women’s magazines – who will receive it with the same lack of scrutiny as they treat each launch of a new beauty product, The Devil Wears Prada is a clever title halfway towards being a clever film. It’s adapted by Aline Brosh McKenna from Lauren Weisberger’s chick-lit novel, and since Weisberger’s spent some time working at American Vogue as editor Anna Wintour’s assistant we don’t have to look too far for its inspiration. Anne Hathaway plays the simpering Weisberger avatar, an intern/newbie at a fashion magazine not unadjacent to Vogue. And Meryl Streep is also clearly styled on the fashion bible’s redoubtable editor, who … Read more
Gypo
Gypo is a Dogme film, the 37th made according to the strictures of the protocol dreamt up by a group of Scandinavian film-makers, including Lars Von Trier and Thomas Vinterberg, in 1995. Naturalism is the stated idea, but Dogme could also be seen as an extension of Ikea flatpack design principles into film-making, or those of no-smells, no-bells Nordic Protestantism, or the “form follows function” of the Bauhaus, or fellow Scandinavian Carl Theodor Dreyer’s spare aesthetic. Take your pick. What’s unusual about Gypo is that it is a British film, a kitchen-sinker set in the bleak coastal town of Margate. It tells the story from three different angles of a mother/daughter pair of … Read more
7 September 2015-09-07
Out This Week John Wick (Warner, cert 15) Like some kind of undead film star, Keanu Reeves manages magnificent returns every few years – Speed, The Matrix and now John Wick, a super-sleek bit of badass comic-book adaptation relying heavily on Reeves’s blank persona (no one does it better) for much of its appeal. He plays a retired hitman so frightening that, we’re shown, even incredibly hard hardmen blench when they hear he’s on the warpath – after some damn fool goes and kills the pet dog that was the only reminder of his dead wife. And that’s all you need to know about the plot. The screenplay is incredibly smart, a collection of … Read more
31 August 2015-08-31
Out This Week Phoenix (Soda, cert 12) Nina Hoss and Christian Petzold have made six films together, of which I’ve seen only one – the outstanding left-field supernatural thriller Yella. Phoenix builds its drama in a similar way to that 2007 movie – withholding a piece of information and asking us to guess what exactly is going on. Here, we’re in a quasi-Vertigo story, with Hoss as Nelly, a Jewish woman who’s having facial reconstruction surgery in the immediate rubble-strewn aftermath of the Second World War in Germany. Why? We’re not sure. Though the fact she’s been in “the camps” is surely significant. And chilling. And what sort of a clinic is offering … Read more
24 August 2015-08-24
Out The Week Far from the Madding Crowd (Fox, cert 12) A remake of the 1967 film, rather than another version of the novel. Well that’s what it looks like, and considering how closely so many of the scenes mirror – in length, composition, camera angles even – scenes from John Schlesinger’s original film, the temptation has to be to compare like with like. It’s a fairly fruitless endeavour – is Carey Mulligan more beautiful than Julie Christie? Is Tom Sturridge more dashing than Terence Stamp in his prime? Can Michael Sheen outshine the first film’s finest performance, Peter Finch as landowning nob Mr Boldwood? The answer is no on every count. However, … Read more
17 August 2015-08-17
Out This Week Dear White People (Signature, cert 15) A sharp, smart and almost breathless satire on race, racism, post-racism and the whole damn thing, set in an American university where an all-black college asks the question that all black people are asked in some way… integrate or segregate? This basic question – hard enough – is further complicated by the people it’s being asked of: the entitled, preppy student president (Brandon P Bell), the chippy mixed race DJ (Tessa Thompson) whose Dear White People radio show offers snarky advice on the state of current racial politics (“Dear white people, the minimum number of black friends needed to not seem racist has just been … Read more
10 August 2015-08-10
Out This Week The Salvation (Warner, cert 15) Having made his name with austere Dogma films, Kristian Levring makes clear he’s more than a one trick pony with a film that pulls every “big movie” trick available – lighting, cameras, costumes, location and sound are all used to the max in a lavish western that sees Mads Mikkelsen striking Clint Eastwood poses as he tries to gain revenge for the death of his wife and child. One of the best modern westerns thematically, technically, artistically and in terms of pure entertainment, it references the medical violence of Peckinpah, the masculine codes of Aldrich, the operatics of Leone and the spartan ruggedness of John Ford, … Read more
3 August 2015-08-03
Out This Week Good Kill (Arrow, cert 15) What happens when you force a Top Gun kinda guy out of his plane and into a bunker, where he is now commanded to kill people in Whereveristan remotely, using drones? Writer/director Andrew Niccol and his Gattaca star Ethan Hawke reteam to answer the question in an anti-war film running through most of the arguments made by the liberal intelligentsia (ie the intelligentsia). Hawke physically channels Tom Cruise, donning Ray Bans and copying the faux big-bollocks walk, while little touches nudge us even further towards the conclusion that drones are a bad thing – the voice coming down the line from Langley with lethal orders … Read more
15 June 2015-06-15
Out This Week Cake (Warner, cert 15, Blu-ray/DVD/digital) Child actresses signal they’ve grown up by shedding their clothes; older actresses their bid for independence by shedding their makeup. So it proves with Jennifer Aniston, in a feel-my-agony performance as a woman wracked by relentless physical pain after some sort of accident (all is eventually revealed) which has reduced her to zombie-like shuffling and perma-scowling. It’s a good performance by her, and a reminder she’s only as good as her material. But this is good material, and Aniston is surrounded by actors who are up to the salt. In particular Adriana Barraza as the hired hispanic help who seems to have the share of … Read more
8 June 2015-06-08
Out This Week Kajaki (Spirit, cert 15) To find a really good, really British war film (so, no, not Ridley Scott’s Black Hawk Down or Stanley Kubrick’s Full Metal Jacket, both of which are over-rated) you have to go back a very very long way. Or watch Kajaki, which is out right now. It’s a simple, brutal and unflinching portrait of the gruesomeness of war, the camaraderie of the fighters and the raw bravery in the face of sheer terror which extreme situations reveal. Told with the straightahead simplicity and bleach-bright looks that bring to mind Ice Cold in Alex, it follows a detail of British soldiers from 3 Para as they venture … Read more
