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Galaxy Quest
Turn on TV most nights and there’s some Star Trek spin-off boldly heading off somewhere. In it are actors you’ve never seen before and will possibly never see in anything else again. As coloured latex hangs off various bits of various faces they strike heroic poses and over-earnestly deliver lines from rehashes of scenarios that were tired in the Sixties. Galaxy Quest knows those shows and those actors. It follows a past-it sci-fi cast as they do the convention circuit, signing books for the geeks they despise, bickering among themselves, boring anyone who’ll listen with stories of antique Shakespearean glory. Then, gasp, a bunch of real aliens turn up, expecting not crummy autographs, … Read more
Spy Kids
Ever since he’d arrived in 1992 with his made-for-nothing El Mariachi, director Robert Rodriguez had been readying himself for Hollywood primetime. His 1996 grindhouse vampire comedy From Dusk till Dawn had allowed him to play with a big name cast (Harvey Keitel, Juliette Lewis, Salma Hayek and a new-to-movies George Clooney) and special effects, and boasted a script by Quentin Tarantino. Following on from that The Faculty gave him a sexy gang of newcomers (Josh Hartnett, Jordana Brewster), a smart script by Kevin Williamson and a bucket of attitude. Both films were, by Hollywood standards, fairly low rent. With Spy Kids he finally got what he wanted – lots of cash, nearly all … Read more
High Fidelity
A film that caught a moment rather well. One of the moments it caught was the high point of Nick Hornby – the chronicler of a generation that was slightly more conservative, slightly more sentimental than the preceeding one, and had come to accept it. Director Stephen Frears’s version of Hornby’s novel about men and their bloody lists also caught hold of the then current notion that men were all, to some extent, on the autistic spectrum. Giving that idea flesh is John Cusack as the obsessive, nerdy, list-driven owner of a second-rate record shop. The action has been moved from London to Chicago but vinyl geeks are a global trope and Cusack’s … Read more
Charlie’s Angels
Good god this film got some bad negative publicity when it came out. I’m really not sure why. Of course it’s not Ingmar Bergman, but it’s not trying to be. What it is trying to be is a light and frothy, giddy and bubbly pastiche of the Seventies adventure series – which was the TV equivalent of that poster of the tennis woman scratching her bum. Perhaps naysayers were all still carrying a torch for Farrah Fawcett, the star of the original who left after one season to parlay her TV fame into a cinematic career. That didn’t work too well for her. Taking the Farrah role in McG’s film (perhaps the naysayers … Read more
Following
Can you honestly tell from Following, that its first-time director Christopher Nolan is only two years away from making Memento, the film that put him on Hollywood producers’ speed-dials? Shot on weekends and holidays guerrilla-style around London for about $6,000, it is a real “you saw it here first” effort and the acting is strongly redolent of the great days of British film – it’s rank. But when a story is this strong it barely matters. It’s simple too. We follow, in low-budget monochrome, a young, luckless and broke writer (Jeremy Theobald) who thinks it would be fun, “creative” in an artschool way, maybe, to “follow” people and see where it leads him. … Read more
Besieged
Bernardo Bertolucci was once famous you know. As a director of the brilliant political drama The Conformist, the controversial Last Tango in Paris, Bertolucci’s was one of the big names in cinema. Since that early 1970s heyday he’s stopped making headlines but continued making films. Often they have been marked out by the director’s keen eye both for a well composed shot and for women with strong, beautiful faces. Both figure centrally in this romantic drama from 1998, which in so many respects apart from its troubling message (is there one?) delivers few surprises. It’s the story of an exiled African woman (Thandie Newton) skivvying for a Rome-based classical pianist (David Thewlis). Is … Read more
15 April 2013-04-15
Out in the UK This Week She Monkeys (Peccadillo, cert 12, DVD) Vaguely marketed as a lesbian drama, this is in fact an instant classic of the twisted coming-of-age genre, a superbly taut story of a teenager called Emma (Mathilda Paradeiser) who meets a similarly blonde, similarly athletic girl (Linda Molin) while learning equestrian vaulting. Meanwhile, at home, Emma’s five-year-old sister is making her first advances into the world of sexual strategy. Friendship and rivalry, sex and power duke it out for supremacy in this superbly photographed, coolly understated Swedish drama recalling Let the Right One In in look, tone, ambition and effect. A gripper. She Monkeys – at Amazon The Spirit of … Read more
Five Films about Margaret Thatcher
Margaret Thatcher, Mrs T, The Iron Lady, is dead. 31 years ago she was the most unpopular UK Prime Minister in history. Then, after winning the Falklands War she was re-elected in 1983. She was elected again in 1987 before being defenestrated by her party in 1990, a defeat she never quite came to terms with. Politically she was deeply divisive but on one point everyone is agreed – she recast British politics, and to a certain extent global politics, with her doctrine of open markets, privatisation, financial deregulation and tax cuts. Thatcher made the world we live in now. To some she was the greatest prime minister who ever lived, to others … Read more
Girl, Interrupted
Girl, Interrupted tells the real-life story of Susanna Kaysen, who wrote the original memoir about her enforced stay at a mental hospital in the 1960s. She was banged up after a pills overdose for what was termed a “borderline personality disorder” but the suspicion remains that she was being incarcerated at least partly because she was young, rebellious and pissing off her parents. Director James Mangold’s film version turns the whole experience slightly into One Flew Over The Cuckoo’s Nest redone as a 1960s Mean Girls drama. Instead of shock therapy there’s the withdrawal of TV privileges, straitjackets have largely been replaced by attentive, pleasant carers. And as for debilitating doses of recreational … Read more
The Phantom of the Opera
It’s something of a minor industry to make fun of Andrew Lloyd Webber. But with this film version of his stage phenomenon (billions of dollars at box offices worldwide, and counting) it looks like the musical lord is once more going to be having the last laugh. It’s a story we all know – a hideously disfugured creature, endowed with a gift for music, yearns for the love of a pretty, young singer. He tutors her and turns her into a star. But could she ever love him? It’s often said that the story is a coded version of the relationship between Lloyd Webber and his ex-wife, Sarah Brightman. Brightman was the original … Read more
The Way of the Gun
Having written The Usual Suspects, Christopher McQuarrie’s directorial debut was always going to generate a lot of interest. It also, when it finally did arrive five years later, generated a lot of disappointment, not least for McQuarrie, who wouldn’t direct another film until Jack Reacher in 2012. Which, looking back from more than a decade later, seems a bit unfair. In Usual Suspects fashion The Way of the Gun delivers blood and twists with a noirish inflection, and takes a pair of good-looking, tooled-up desperadoes (Benicio Del Toro, Ryan Phillipe), dresses them up in Tarantino attitude and pitches them into a plot constructed like a maze. Thing starts fairly easy, as the two … Read more
Mifune
The title is a reference to Toshiro Mifune, the Japanese director Akira Kurosawa’s favourite actor. He died as the film went into production and director Søren Kragh-Jacobsen and writer Anders Thomas Jensen came up with the title as a way of honouring him. So, no, this isn’t Japanese arthouse; it’s Danish. Which will scare a few people off, most likely. Scarier still, Mifune follows the Dogma commandments – the puritanical, ornament-free film-making style that has Hollywood-lovers reaching for their revolvers. The story is similarly bare-bones: the wife (it’s Sofie Gråbøl, later of The Killing fame) of a newly married man (Anders Berthelsen) is far from happy when she discovers his secret history – … Read more
