Reviews
Imaginative, sweet and brilliantly observed, Robot Dreams is a deceptively simple animation set in an alternate New York of the 1980s, where animals rather than people crowd the city streets, delis and subways, and a lonely dog living on his own decides, on a whim, to buy one of those flatpack robots he’s seen advertised … Read more
Just Mercy continues writer/director Destin Daniel Cretton’s zig-zag up the movie food chain. His breakthrough came in 2013’s Short Term 12, which not only made his own name but also that of Brie Larson, who is now playing Captain Marvel at god knows what hourly rate of pay. Trouper that she is, she turns out … Read more
A micro-budget black-and-white indie drama, written and directed by one of its co-stars, Andrew Bujalski, who plays the college lecturer graciously helping out old school friend and budding rock musician Alan (Justin Rice) after he relocates to New York. Failing to commit, being vaguely rubbish, avoiding maturity, just sort of drifting about, that’s the over-riding … Read more
Screwball but not particularly comedy, in spite of Cary Grant and Katharine Hepburn’s presence, Holiday is too serious a business to be unserious about, and there aren’t really any jokes in it. But Grant bashes through it as if it were in the key of fun, and he drags everyone and everything along in his … Read more
Jellyfish Eyes starts out looking like a cute ET story and winds up being more a rampage-and-destrcution, Godzilla kind of thing. In between it gets most of the big things right. It’s Japanese, from 2013, and is the only feature film so far directed by Takashi Murakami, who is more a TV producer, though he … Read more
Four years before George Romero is supposed to have revived the genre, the zombies are already alive and kicking (well, shuffling) in 1964 in The Last Man on Earth, a lurid yet oddly static example of a genre movie with all the signs of something knocked out with little respect for its audience. Unsurprisingly it … Read more
A horror movie coming at the genre from three different directions, Reborn starts off in distinct tits’n’gore territory, jumps quickly into the supernatural and then eventually morphs into something altogether more psychological. Key asset is Kayleigh Gilbert, who has a big-eyed face and long physique built for the gothic. She plays the teenager who was … Read more
An all-you-can-eat buffet of Superman, or James Gunn’s Superman, as it’s invariably called, presumably to set it apart from the crowd. Not that Gunn seems interested in standing out from the crowd too much. His Superman’s tights are baggy, like the cheapo ones from the black and white era, though most of Gunn’s inspiration comes … Read more
Feeling, looking, sounding like a very dark John Hughes film (Breakfast Club, Ferris Bueller period), The Spectacular Now also has in Miles Teller and Shailene Woodley exactly the sort of actors Hughes might have cast – not the prettiest, but the most personable, the most “relatable” as we now say. It’s Teller’s first starring role, after … Read more
In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his … Read more
Close by name and nature, this intense, tightly packed, intimate study of a friendship between two 13-year-old Belgian boys took the Grand Prix prize at Cannes, where they do like a bit of a wallow. Beautifully made and sensitively played, it starts out in one territory but ends in another. The focus is on Leo … Read more
The success of the Marvel Cinematic Universe must surprise even Marvel. Doctor Strange in the Multiverse of Madness is the 28th film in the series, the fifth of Phase Four, and with talk of folding both Deadpool and Blade into the franchise, the MCU isn’t going anywhere just yet. Have a squint at the Trivia … Read more