Reviews
“Play stupid games, win stupid prizes,” an on-screen snippet tells us at the beginning of Stupid Games. It’s a phrase that’s been attributed to any number of people – Tom Clancy to Taylor Swift – but probably predates them all. “Stupid is as stupid does,” is another one, and is particularly apt in the case … Read more
Dumb fun, but definitely fun, Deep Cover is written by Derek Connolly and Colin Trevorrow, of Safety Not Guaranteed (love that film), plus Ben Ashenden, who presumably injected the British sensibility here and there. Knockabout entertainment, it takes most of its inspiration from 1990s action comedies about inadequate characters in hazardous situations. Who knew Orlando … Read more
Well I was expecting a French film called Two of Us (aka Deux), about two ageing lesbians who have spent decades in the closet. Instead I got this Two of Us (aka Dead Earth aka Paradise Z) about two young lesbians fighting off a zombie holocaust. Not quite the same thing, the lesbian aspect to … Read more
One of those feelgood made-for-TV films that’s somehow managed to net a great cast as they were commuting between better paying jobs. I suspect that that’s because William H Macy is involved, David Mamet’s favourite actor being the star and the adapter of Donald Westlake’s novel about a film critic who kills his girlfriend by … Read more
Also known as The Contact Man, Alias Nick Beal is the much better title of this unusual political allegory meets supernatural drama. The Nick is Old Nick and the Beal is short for Beelzebub. Got it? A retelling of the Faust story is the idea, with Ray Milland as the Mephistopheles stand-in and Thomas Mitchell … Read more
Were showrunner Brian Clemens, fellow producer Albert Fennell and the rest of the production team trying to get rid of Linda Thorson? She had been introduced during his brief interregnum by producer John Bryce and when Clemens and Fennell returned, they were stuck with her. Killer is an episode bursting with agents – who die … Read more
If you know the name, you’ll know the film. Semmelweis tells the story of the 19th-century doctor who introduced hand-washing to labour wards in Vienna and at a stroke reduced the incidence of puerperal (aka childbed) fever, a killer of new mothers. Opening shot: a pregnant woman going into labour on the Austrian capital’s streets … Read more
Huesera: the Bone Woman opens and ends with spectacular images – of a gigantic golden Virgin Mary at a shrine to start, and of a writhing mass of naked zombie-like creatures to finish. In themselves they’re impressive but they also offer a distilled show-and-tell of the shift in tone Mexican director Michelle Garza Cervera has … Read more
“Starring Anita Pallenberg” and “Music by Brian Jones” are the big sells of Degree of Murder (Mord und Totschlag in the original German), a weird trifle from 1967 seemingly designed to showcase the almost unbearable cuteness of Pallenberg and little more. If you’re steeped in the culture of the times, no further details about these … Read more
At the Raindance film festival, London, UK, 27 October–6 November 2021 Swerving the woe-is-me of the issue-driven drama, Sami, Joe and I (Sami, Joe und Ich) takes on the sort of problems teenage girls encounter without becoming a hostage to them and also celebrates the vital force of female friendships without becoming sappy. Quite a … Read more
Playing the child murderer in Fritz Lang’s M bought Peter Lorre his ticket to Hollywood, where he soon tired of playing exotics and weirdos. He was already Hollywood’s go-to creep when he made The Face behind the Mask in 1941. It follows a naive watchmaker who arrives in New York off the boat from old … Read more