Reviews
The story goes that Elliott Gould screened The Silent Partner for Alfred Hitchcock after it was finished. Hitchcock apparently liked it, as well he might, since it’s about 75 per cent Hitchcock by look and theme. There’s a blonde, a bit of mistaken identity, a nobody who finds he’s a somebody when tested, and even … Read more
That sound? The plane taking off from LAX taking another great Asian director back home, sobbing with disappointment. It happened to John Woo, who did at least manage to crank out Face/Off, but his sad run of Hollywood films include Windtalkers, Mission: Impossible II and Hard Target. To the Pang brothers too, whose The Eye … Read more
The Brutalist did well at the Oscars, winning three (Best Actor, Music, Cinematography) from a total of ten nominations. It is the sort of film the Academy likes – it’s got class written all over it, from the fancy opening credits and the high-end VistaVision process (not used for more than 60 years), to its built-in … Read more
At first, Splendid Isolation, Urszula Atoniak’s latest film, looks like it’s going to be a retread of 2009’s Nothing Personal, her first one. Nothing Personal might even have been called Splendid Isolation and its MO was the same – a couple of people, a female focus, a remote location, self-sufficiency, personal histories mired in mystery, … Read more
A Korean thriller about a modern-day pirate planning a nuclear attack on the motherland. It’s the biggest production in Korean movie history, apparently, and has swishy looks, bombastic tone and frequent dips into gooey sentimentality. In other words Typhoon has half an eye on Hollywood, though its story is firmly set around the 38th parallel … Read more
Amanda Seyfried has a spectacular rack and, gents, you get plenty of it in this biopic about Linda Lovelace the 1970s deep throat queen who unwittingly did more than most to make porn legit. Amanda Seyfried… rack… unwittingly. Those are the key words from that sentence and of this film, a well made, deeply period … Read more
So here’s The Count of Monte-Cristo 2024 style, not to be confused with the TV show of the same name from the same year covering the same story. Or the more than 20 film adaptations down the years, the numerous TV and radio versions (including one by Orson Welles). Plays. Musicals. Games. You get the … Read more
“Transgressive” is a word bandied about a fair bit when it comes to Pedro Almodóvar, but Parellel Mothers (Madres Paralelas) again shows that for him it’s a two-way street. His films are different, unusual, unconventional – yes. And yet in the relationships they portray not that far from the everyday, not that far from what … Read more
Beautiful, exquisite, poetic – choose your adjective, but there’s no denying the extraordinary visual effect of A Story of Floating Weeds, Yasujirō Ozu’s silent glory from 1934. A box-office smash in his native Japan, it was also a critical hit worldwide, and is a good place to start if you’re interested in tracking the development … Read more
Something weird is going on in the scary house out in the fields of North Dakota, where mom and dad have moved to make one last go of it, growing sunflowers. The kids can see it but the adults can’t. And so on. The Messengers is a bog standard American haunted-house movie with a twist. … Read more
Dr Bird’s Advice for Sad Poets starts off in voiceover. “My father, The Brute, said reading Walt Whitman is a waste of time, despite sharing the same name,” says James Whitman (our teenage sad poet, played by Lucas Jade Zumann) lying on his back in a sulk on his lonely bed. He glances over at … Read more
Lauren Greenfield’s new documentary is called The Kingmaker but it looks at first glance like nothing more than a film about a woman whose days in the sun are long behind her. Greenfield you may remember as the director of The Queen of Versailles, a film about a trophy wife of a very rarefied sort. … Read more