Reviews
Sex, death and people flying about in the air fighting each other, A Touch of Zen is the Taiwanese martial-arts movie that reminded Hong Kong directors how to do it properly, with space used intelligently, fluid cameras, energetic edits, restrained performances, humour that isn’t just about falling flat on your face and stuntwork that’s extravagant … Read more
It’s often said that Jean-Luc Godard’s Two or Three Things I Know About Her (2 ou 3 choses que je sais d’elle) has no narrative throughline, that it’s freeform, experimental, avant-garde and so on. This is both true and not true. There is a story, though Godard does his best to hide it, of a … Read more
Thanks to Normal People, the BBC adaptation of Sally Rooney’s best-seller, for a while Paul Mescal was one of the most famous actors in the UK, and further afield. The world, as the Brits like to say, was his lobster. So it’s nice to see him lending his name to Aftersun, a debut movie by … Read more
Marlene Dietrich’s favourite of all the films she appeared in was The Devil Is a Woman. Maybe because she’s playing an independent woman beholden to no man. Maybe because she laughs quite a lot in it. The two might not be unrelated. It’s set in Spain, and Dietrich plays Concha Perez, a beauty spotted first … Read more
London was still notorious for its fog in 1969 when The Avengers episode Fog aired, even though the Clean Air Acts of 1956 and 1968 had largely consigned all-enveloping, life-shortening meteorological damp blankets to history. No matter, fog is what’s called for and so fog is what we get, a thick pea-souper so dense that … Read more
Let’s hear it for Popeye the Slayer Man, a title so brilliant and obvious you might wonder why it’s never been used before. The reason is quite simple: Popeye fell out of copyright in 2025 and so the intellectual property became easy pickings. Hot on the case, two movies have already appeared this year (I’m … Read more
Jessica (Tilda Swinton) is woken in the night by a bang. Memoria, a bizarre film which gets odder the longer it goes on, begins. What is the noise? Outside, in the dawn light, in a parking lot full of cars, one of the car alarms goes off, then another, and another, until all the car … Read more
Charlotte Rampling, Donald Sutherland and Brian Blessed are the standout names in The Superlative Seven, a title suggesting this episode is going to borrow heavily from The Magnificent Seven of seven years before. In fact it’s more a reworking of Agatha Christie’s Ten Little Indians, with a bit of Hunger Games thrown in (appropriately, since … Read more
About as unfashionable as they come, Hope Gap has two and a half great actors in it and tells a tender story with great compassion. It’s an adaptation of writer/director William Nicholson’s play The Retreat from Moscow and though Nicholson throws in scenes set on the cliffs and by the sea as often as possible, … Read more
Made in England: The Films of Powell and Pressburger is another of those Michael Scorsese Does… affairs (see My Voyage to Italy), which is to say a hot letter from a fan to the object of his adoration, this time the British duo behind movies like A Matter of Life and Death and Black Narcissus. So, … Read more
Comedy horror – no surprise there, surely – Let the Wrong One In takes the vampire movie and does a Shaun of the Dead number on it. Which is to say: arcane lore is exposed to the withering light of everyday life. Result: funny, and another contender for the Ireland’s Comic Horror Hall of Fame, … Read more
Chinatown is what the writer Robert Towne will be remembered for, rather than Last Woman on Earth, a cheap and short B movie cranked out by one-man movie-making machine Roger Corman in 1960. But it’s worth a look, not just because it was Towne’s first screenplay but also because he acts in it, under the … Read more