Reviews
First of the so-called “Trümmerfilme”, after the German word for rubble, films shot in the immediate aftermath of the Second World War, when Germany lay in ruins. Berlin Express was directed by Jacques Tourneur and features a high-tone cast including Merle Oberon and Robert Ryan, with much of the action set on a train sweeping … Read more
There’s nothing wrong with Ghostbusters: Afterlife at all, apart from its strange reluctance to reference Ghostbusters, the 2016 reboot directed by Paul Feig. The one that exercised a lot of bedwetters with its “controversial” cast with a lot of women in it. It wasn’t very good, but not because it starred Kristen Wiig, Melissa McCarthy, … Read more
Voskhozhdenie, the USSR movie from 1977, usually goes by the English title The Ascent, though The Ascension would be semantically and tonally closer to the mark, since this is a war movie done as an allegory for the passion of Jesus Christ. It’s a “lost patrol” movie. Or, to be strict, a lost patrol of … Read more
A cop falls disastrously for the woman he is certain killed her own husband in Park Chan-wook’s first film since 2016’s The Handmaiden. Decision to Leave is an erotic noir mixing elements of the “useless cops” comedy of Bong Joon-ho’s Memories of Murder with the romantic obsession of Wong Kar-wai’s Chungking Express and adding byzantine, … Read more
And you thought that after being excellently sinister in Insomnia and One Hour Photo, Robin Williams had stopped making goofily sentimental comedies that stop every 20 minutes for toe-curlingly inappropriate improv from Mr W. Sadly not, as evidence there’s this woeful, slight affair in which Williams plays the family man driving his family cross country … Read more
The openings are both figurative and literal in The Opening of Misty Beethoven, the pornified Pygmalion that’s a key movie from the so-called Golden Age of Porn. The real Pygmalion, you’ll recall, is about two la-di-dah gentlemen betting on whether they can get a Cockney flower girl to pass as a duchess. Here, Henry Higgins, … Read more
Sci-fi costs money. All those sets, all that tech. But there’s an honourable tradition of good lo-fi sci-fi that Lapsis fits into neatly. Films like The Signal, Attack the Block, Timecrimes and Monsters are only low budget in movie terms. Others (Skeletons, Thale) somehow get made for the sort of money most people could lose … Read more
Set mostly in the airport at Marseille (a studio just to the north of London, apparently), this tight and fast episode gets underway with a passenger on a plane arriving from Tripoli getting very distraught and claiming he’s about to die. Without giving too much away, he does die, gratifyingly for the foreign spies who … Read more
The Four Horsemen of the Apocalypse was the first of five films Rudolph Valentino made in 1921 and though it’s the film that made him a star he’s not the star of the film, which is an ensemble piece. The star is the film itself, an epic so complete and fine-tuned that it’s a reference … Read more
The music in Saltburn tells you a lot of what you need to know about the movie. Starting with Zadok the Priest and ending with Sophie Ellis Bextor singing Murder on the Dancefloor, this is a big, gaudy, fun switchback that surely would have been made in Technicolor if the process was still about. A … Read more
Is Sinners a vampire movie? Even members of the cast couldn’t agree whether it was or not. Delroy Lindo said it wasn’t, Michael B Jordan said it was. Either way it’s bold and ambitious, full of stuff to discuss, book-club style, over a drink afterwards. A bit didactic, a bit tasteful, a bit too in … Read more
Beautifully made and beautifully restored, Jean Epstein’s 1929 drama about kelp gatherers on a remote Breton island is also quite simply a beautiful film, picturesque enough to charm even the most unwavering hater of silent movies. Having discovered some islands off the coast of Brittany, Epstein decided to shoot a film there using local people … Read more