Reviews
A spooky psychological drama, The Second Woman is often misdescribed as film noir but really it’s much closer to being overwrought melodrama of the sort Douglas Sirk used to make. That’s probably misdirection on my part – because there is no sotto voce examination of social mores going on here. Instead we’re asked to try … Read more
Without Space Is the Place no Black Panther? Afrofuturism on screen pretty much starts with this cosmic freak-out from Sun Ra. Made in 1972, released in 1974, Space Is the Place sets out an alternative agenda for black Americans, suggesting an imaginative future of sci-fi possibility unconstrained by the daily grind of the street hustle. … Read more
Can the sewer-dwelling Mutant Ninja Turtles dudes named after renaissance painters really still be teenagers? Just one of the many questions raised by the latest animated iteration of the once popular franchise that can trace its origins back to a comicbook spoof of the early 1980s. Foremost of those questions must be “Why?” Feeling a … Read more
Also known as The Contact Man, Alias Nick Beal is the much better title of this unusual political allegory meets supernatural drama. The Nick is Old Nick and the Beal is short for Beelzebub. Got it? A retelling of the Faust story is the idea, with Ray Milland as the Mephistopheles stand-in and Thomas Mitchell … Read more
If you’ve never heard of Oldrich Lipský before, here’s your chance to get to know him. Second Run, purveyors of overlooked European movies, are re-releasing Happy End, Lipský’s 1967 comedy. Compared to the titles of other Lipský films – The Mysterious Castle in the Carpathians, I Killed Einstein, Gentlemen and Adele Has Not Had Her … Read more
British readers wondering why Tom Hanks is starring in a film about a defunct Rupert Murdoch newspaper – fondly known as The News of the Screws, because of its interest in kiss-and-tell stories – wonder no more. This western is called News of the World because that is the name of the novel it’s based … Read more
Beta-male-goes-mad time with Sharp Corner, borrowing the arc of The Shining and starring Ben Foster as a Jack Nicholson stand-in. There is no Overlook Hotel or supernatural stuff. Instead the action takes place in a “mansion” outside the city where Foster’s Josh McCall has moved his family, not once wondering why this great big house … Read more
Films about pretty young people dying miserably of some terrible but usually not disfiguring condition can be a bit of a drag. Tuesday writer/director Daina Oniunas-Pusić has found a way of injecting a bit of zip – adding a bit of the weird supernatural. We’re told from all the publicity that Julia Louis-Dreyfus is the … Read more
Clear-eyed but compassionate, Il Posto is the other film by Ermanno Olmi, the one that isn’t The Tree of Wooden Clogs. Both are neo-realist to an extent and are concerned, obsessed, with the stuff of everyday life. Here, though, the focus is on the city, whereas Clogs was resolutely a tale of rural peasant life. … Read more
Diana Ringo has made the first feature film of 1984 in Russian, and she’s done it her way, with little in the way of exterior financial backing. It’s cheap and it’s cheerless, but that just adds to the dystopian gloom. George Orwell would probably approve. He might not be quite so happy about Yevgeni Zamyatin’s … Read more
Whoop de doo, it’s season three of The Avengers and to celebrate its continuing success, the opening credits have been given a bit of a makeover – they’re much more Saul Bass now – there’s more money being spent on the production, the camerawork is more filmic and the editing is noticeably snappier. Brian Clemens has … Read more
The psychopath as psychotherapist is The Passenger’s fresh offering, though it serves up this unfamiliar idea in pretty familiar trailer-trash style. So, no, not the iconic Antonioni movie from 1975, nor the iconic 1977 Iggy Pop song, though thematically this The Passenger is in the same territory – it’s about a guy who is not … Read more