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Roy in the storm drain

He Walked by Night

There were two big “ripped from the headlines” movies in 1948, one from the East Coast of the USA, the other from the West. Both The Naked City and He Walked by Night made big claims to authenticity. The Naked City made much of the fact that a lot of its footage was shot out on the streets of New York. He Walked by Night also makes use of real locations, most notably LA’s underground storm drain system for a finale The Third Man would borrow a year later. But its bigger pitch is that it’s a non-Hollywoodised movie about actual events. And how it asserts that. “This is a TRUE STORY”, the … Read more
Mrs Peel surrounded by a halo reading a ZZ Schnerk Production

The Avengers: Series 5, Episode 11 – Epic

When writers run out of ideas, they either start cannibalising their own old ones (see the episode from two weeks’ prior – The Correct Way to Kill), they duck into comedy (no refuge for a series that already has its tongue boring a hole through its cheek) or they reach for genre parody. Epic dips its toe in the water of the third option in an episode that parodies old-school Hollywood excess. Kenneth J Warren, Isa Miranda and Peter Wyngarde are the guest actors drafted into play a trio of archetypes, arch types, even – Warren is an Erich Von Stroheim stripe of director, all monocle, bullet head and high-flown notions of the importance … Read more
Elvis in rehearsal in That's the Way It Is

Elvis: That’s the Way It Is Special Edition

Here’s Elvis trying on the cape, the batwings and the wide belts in Las Vegas in 1970. There must have been a lot of material in that original white outfit because it was certainly let out a lot as the Seventies progressed. But not here, this is Elvis at his sleekest, only two years after his famous 1968 comeback special, when he proved he was one of the few people in the world who could wear top-to-toe black leather and not look like a gimp. This “special edition” is a recut of the original film, there’s a lot more goofing about, more pre-show rehearsal with the band (watch James Burton on guitar and … Read more
Basil on the sofa, Mrs Pretty kneeling on the floor

The Dig

The Dig re-imagines the events around a discovery so fabulous it needs no re-imagining – the excavation of the Sutton Hoo hoard. First unearthed in the 1930s, and originally thought to be Viking, the hoard turned out to be much older, Anglo Saxon, and eventually yielded up remarkable treasures made of gold, plus examples of everyday household objects that rewrote our understanding of the time, and perhaps most eye-catching of all, a 6th-century ship, buried in a mound as a funeral barque for its owner. You don’t actually learn an awful lot about the actual treasures of Sutton Hoo in The Dig, though the skeletal frame of the part-excavated ship acts as a visual … Read more
Ray and Billy in a moment of crisis

Biosphere

According to Charles Darwin and every credible evolutionary scientist since, individuals do not mutate, species do. But it suits the makers of Biosphere to imagine that that’s how evolution works – the survival of the fittest obviously being the fittest individual. Let’s just say it again – it does not work that way. OK, so, parking that objection and instead accepting “individual mutation” as a metaphor being used to challenge the “a man is a man and a woman is a woman” crowd, let’s dive into this strange two-hander set in a post-apocalyptic world where everyone apart from two men are dead. Billy and Ray. Two dudes. Bro’s. We meet them jogging around … Read more
Space Girl about to go on the rampage

Lifeforce

The cheap and cheerful Cannon Group were ready for the big time in the mid 1980s. Having made a decent amount of money out of various barrelscrapers – Death Wish sequels, Chuck Norris actioners and assorted Ninja movies – they decided to move upmarket. Lifeforce was the result, a big-budget (for them) sci-fi movie and the first of a three-picture deal between director Tobe Hooper (still hot from Poltergeist) and the “Go-Go boys”, as Cannon owners, cousins Menahem Golan and Yoram Globus, were known. The film was a total flop on its release and got hacked about a bit in an attempt to make it more sellable. That didn’t work either. However, over … Read more
A shadowy man with an axe

In the Earth

In the Earth is Ben Wheatley’s most overtly horror of horror films since he did the U is for Unearthed section of the portmanteau The ABCs of Death, though in films like Sightseers, High Rise and last year’s Rebecca horror has always lurked at the edges of his work. Made during the covid pandemic, and incorporating its disinfecting/distancing precautions into theme and treatment (there’s a covid supervisor in the crew credits), it’s a film all about infection, though the contagion in question isn’t so much microbial or viral as an infection of the rational mind by the spores of unreason. In In the Earth, cool, clear, scientifically trained minds are taken over by … Read more
Jesse Eisenberg in white face make-up

Resistance

Heartfelt rather than gut-wrenching, Resistance is an origin story. Not of a superhero, which is what origin stories usually concern themselves with. But of the world’s most famous mime, Marcel Marceau, who died in 2007 aged 84. This seems, at first glance, amazing in itself. After all, who’s interested in that? But it turns out there is more to Marceau, a lot more, than the white face make-up of his most famous character, the silent Bip the Clown. He was born Marcel Mangel in Strasbourg, France, in 1923, which means Marcel was about 15 in 1938 when Resistance takes up his story. The Nazis are just over the border and Strasbourg is regularly … Read more
Evan Rachel Wood enjoys the beach while Ed Norton enjoys her

Down in the Valley

Ed Norton continues on his quest to become the new Sean Penn with this very unusual and initially brilliant examination of the cowboy myth and its survival into the modern world. This represents itself in a Bonnie and Clyde love story between Harlan, an itinerant cowpuncher cum gas station attendant (Norton) who immediately quits his job when young and foxy Tobe (Evan Rachel Wood) drives in for gas, and heads off to the beach with her. What a free spirit. What we don’t at first know, but soon becomes apparent, is that our Stetson-wearing South Dakotan is a nutjob. But until that is revealed we are treated to the sort of drama that Robert Redford … Read more
Jane Fonda as the cruel Contessa de Metzengerstein

Spirits of the Dead

The film equivalent of the collateralised debt obligation, the portmanteau movie generally bundles together stuff of questionable quality then sells it on using a big name or a big star to help it achieve a decent credit rating. In Spirits of the Dead (aka Tales of Mystery and Imagination), three adaptations of Edgar Allan Poe tales, there are plenty of big names – Federico Fellini, Roger Vadim and Louis Malle as directors. Stars such as Brigitte Bardot, Alain Delon, Jane Fonda and Terence Stamp. But no matter how glossy the name, or even how polished the product, the rule of the portmanteau movie applies here as everywhere else – the finished product is less … Read more
Mrs Peel with an illuinated mask

The Avengers: Series 4, Episode 23 – The House That Jack Built

John Lennon’s declaration that the Beatles were “more popular than Jesus” had gone public just the day before The House That Jack Built aired in the UK on 5 March 1966. Not that this episode of The Avengers has anything to do with religion or popular music, or anything like that, but it swims in the same backward-looking yet progressive waters as the Beatles, and with a plot heavy on the paranoia, with suggestions of psychoactive substance use on the part of the writer, Brian Clemens, it couldn’t be more 1960s. Patrick Macnee more or less gets a day off this time out, and once he’s set the plot in motion – with … Read more
The ensemble cast of Stage Door

Stage Door

Katharine Hepburn was at the height of the “box office poison” phase of her career when she made Stage Door in 1937. She’d won an Oscar only four years before but four flops in quick succession had turned RKO against her – she had to fight the studio to get star billing. Ironically, amusingly, cannily, the story of Stage Door plays to the public perception of Hepburn as a snooty, entitled daddy’s girl who expected the world to do her bidding by casting her as the snooty, entitled rich man’s daughter breezing into the Footlights Club, a boarding house for actresses, and being taken aback when she doesn’t get the reception she feels … Read more

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