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Wrath of Man

Wrath of Man is director Guy Ritchie and actor Jason Statham’s fourth collaboration since they both broke through in 1998’s Lock, Stock and Two Smoking Barrels. It’s a remake of the 2004 French movie Cash Truck and opens with the Metro Goldwyn Mayer logo emblazoned in orange lettering against a hazy cityscape. All very 1970s is the initial impression. And it turns out to be a correct impression since what we get with Wrath of Man is a cut and shut of two 1970s staples – the bank heist movie and the revenge thriller. The joys of a Statham film come largely in having our expectations satisfied. He’s a trans-cinematic presence, reliably Statham, … Read more
Jim Cummings as The Knife Salesman

The Last Stop in Yuma County

The Last Stop in Yuma County is a reminder of the sort of film there used to be a lot of in the late 1990s. In that first post-Tarantino wave, low-budget film-makers would head to the desert, find a diner somewhere, load it up with gonzos and dimwits, add guns and fruity dialogue and then let the chips fall where they might. A lot were disappointing and eventually they became a chore to watch, but here’s a reminder of how good they could be when done properly. Just a few characters, not too much horsing around, tongue kept for the most part out of the cheek, a minimal situation with a sense of … Read more
Dan Duryea

Walk a Tightrope

Walk a Tightrope, a British B movie from 1964 packs more of a punch than you might expect, thanks to a properly ingenious story and a great performance by Dan Duryea, who adds the all-important element for British B movies of the era, a starring role for a second-string American actor at the tail end of his career. Duryea was 57 when this was made and looks older. Often cast as a villain, this “heel with sex appeal” (as the New York Times called him in his obituary) would be dead of cancer within four years and looks gaunt here, so maybe it was already taking its toll on his health. His appearance … Read more
Janusz Gajos and Krystyna Janda

Interrogation

It took real courage to make Interrogation. Known as Przesluchanie in the original Polish, it looked like career suicide for everyone involved in the making of it. Even given the easier political situation in Poland once the Solidarity union had started making headway from 1980 onwards, the film’s message – that the regime was inhumane, Nazi even – was never going to be tolerated by the authorities. And it wasn’t. Banned before it appeared in 1982, it was nevertheless widely seen in Poland, thanks to pirate tapes played on VHS machines, which had only recently been introduced to Poland. When the Iron Curtain fell in 1989 it finally got its official release and … Read more
Fanny and Alexander

Fanny and Alexander

Fanny and Alexander won four Academy Awards at the Oscars in 1984 and was the first foreign movie to have done so. No foreign movie has ever won more and Ingmar Bergman’s film has only been matched twice in the years since – by Crouching Tiger, Hidden Dragon (2000) and Parasite (2019). At the time it was the most expensive film ever to come out of Sweden and was designed by Bergman to be his last, a grand autobiographical flourish to explain the man behind a remarkable run of astonishing movies as the director started to look back at his accomplishments. With that autobiographical aspect in mind, and armed with the knowledge that … Read more
Ashton Kutcher in the swimming pool in The Guardian

The Guardian

  The career of Kevin Costner seems to have come and gone. After having a run of mad popular success with The Untouchables, Field of Dreams, Dances with Wolves, JFK and The Bodyguard (even the Robin Hood movie: Prince of Thieves did pretty well), he followed up with two epic failures. First Waterworld, which went down like the Titanic. Then The Postman, which was so vainglorious – this is the one in which our hero restores civilisation to a post-apocalyptic America – that it stunned reviewers into a kind of embarrassed silence. These belly flops seem to have busted Costner back down to private and since then he’s gone for more modest assignments. The … Read more
Luana Anders as interloper Louise

Dementia 13

So, a Francis Ford Coppola movie with significant action taking place on a boat. That would be Dementia 13 (aka The Haunted and the Hunted), the director’s first mainstream movie (if we’re ignoring sexploitationers The Bellboy and the Playgirls and Tonight for Sure). Make me something that’s a bit Psycho-esque was producer Roger Corman’s instruction to Coppola, who had already been working with Corman in Ireland on 1963’s The Young Racers. There was money left over from that film, so Corman gave it to Coppola, and lent him the cast and crew from The Young Racers to make his film. The only significant other instruction was that the finished movie needed to have … Read more
Luna Mijovic and Mirjana Karanovic in Grabavica: Land of My Dreams

Grbavica – Land of My Dreams

A movie for every day of the year – a good one 11 July The Srebrenica massacre, 1995 On this day in 1995, the killing began of more than 8,000 Bosniaks (ie Bosnian Muslims) in Srebrenica as part of the ongoing Bosnian War. They were killed by the Bosnian Serb Army under the command of General Ratko Mladic. At the time the enclave of Srebrenica was under the safekeeping of a United Nations Protection Force. But the Serbs were well organised, well armed and motivated by what they saw as the loss of territory vital to any continuing hopes of an independent Serbia. And, having blockaded the town for months, on 6 July … Read more
Bunta Sugawara as Hirono

Battles without Honor and Humanity

Never mind Battles without Honor and Humanity, how about battles that make some sense? There’s lots to love in Kinji Fukasaku’s 1973 gangster movie – the first of a five-part series of “Battles” movies he’d make in two years (amazingly) – but coherence isn’t high on the list. It’s often called the Japanese Godfather, and there’s plenty of that in there. But there’s also Goodfellas, since it’s the story of a guy, Hirono, an ex-soldier who (actually) never always wanted to be a gangster. But once this smalltime criminal has landed in trouble with the law he finds himself sharing a prison cell with a yakuza guy. Once invited to join, he is … Read more
An unlucky victim covered in blood

Drive-In Massacre

If you’re looking for a drive-in movie set at a drive-in… Drive-In Massacre is the short, sharp schlock you’re looking for, a cult item shot in four days, without permits and with all the actors using pseudonyms because they were on a non-union production. It’s a cult movie, which is a way of rationalising its low score on the IMDb – 3.7 out of 10 at the time of writing – but it’s better than its rating and has the sort of breezy, trashy quality you’d expect from a director with titles like Teenage Sex Therapy, Let’s Play Doctor and Teeny Buns on his CV. Stu Segall is the name. The premise is simple. … Read more
Bella Heathcote and Lily James in Pride & Prejudice & Zombies

20 June 2016-06-20

Out This Week Pride & Prejudice & Zombies (Lionsgate, cert 15) And it is literally that… Pride & Prejudice… and zombies. Once the famous preamble – lightly scrambled – was out of the way, and I had been apprised of the fact that a zombie in possession of brains must be in want of more brains, it was straight into the tale of Elizabeth, if not the most beautiful then certainly the smartest of the Bennet daughters, and her growing relationship with dark, thunderous Mr Darcy. Lily James and Sam Riley play it straight as Elizabeth and Darcy, and Sally Phillips and Charles Dance also fit so neatly into the traditional roles of garrulous, mercenary Mrs … Read more
Remi and Leo

Close

Close by name and nature, this intense, tightly packed, intimate study of a friendship between two 13-year-old Belgian boys took the Grand Prix prize at Cannes, where they do like a bit of a wallow. Beautifully made and sensitively played, it starts out in one territory but ends in another. The focus is on Leo and Remi, two lads in their last summer before puberty, or possibly the first one since the hormones announced themselves – either way we’re right on a cusp of big changes. Their boyish closeness – families who know each other, sleepovers possibly since childhood, everything shared – is sketched out in opening scenes of bucolic intimacy by writer/director … Read more

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