Popular Reviews
The Fifth Thoracic Vertebra
The Fifth Thoracic Vertebra is about mould, not backbones. So why the weird title? Because, I’m guessing, debut writer/director Park Sye-young thought it had the right effect. This is a film that’s all about effect, mood, and Park conjures like a master right from the opening seconds, where a removal guy is talking on the phone to the woman whose stuff he’s meant to be moving. The woman isn’t there and he’s haranguing her. Meanwhile the guy next to him is talking right over the top of him in a separate conversation. It doesn’t overlap, as traditionally “realistic” dialogue in movies does (see Robert Altman), it attempts to overwhelm. After the removal guy’s … Read more
Mulberry St
A movie for every day of the year – a good one 27 March Typhoid Mary quarantined, 1915 On this day in 1915, Mary Mallon was quarantined for the second and final time. A carrier of typhoid who remained healthy herself, Mallon’s career as an itinerant cook meant she was perfectly placed to spread the disease. As she moved from position to position after arriving in the US from Ireland, she spread typhoid at every kitchen she worked in. 49 people came down with typhoid; three died. She resolutely refused to give any samples to health researchers, claiming that since she was healthy herself, she couldn’t be spreading illness. She had been quarantined … Read more
Grand Jeté
A former ballerina embarks on an intense sexual relationship with her own son. That bald plot outline of Grand Jeté doesn’t give any sense of the almost tactile intensity of Isabelle Stever’s film, a drama driven by emotion rather than events. Plot junkies might need to sit this one out. But for those who like mood and texture, Stever is the real deal, a director with a precise control of the warp and weft of film-making, with a camera that’s almost subjective in its shallow focus on its subject and its interest in the minutiae of everyday life. She follows, in an almost furtive documentary style, Nadja (Sarah Grether), from the practice room … Read more
Bathory: Countess of Blood
A movie for every day of the year – a good one 20 August Hungary founded by St Stephen, 1000 On this day in 1000, Hungary was established as a country in the Carpathian basin by Stephen I. The area had been settled by semi-nomadic tribes out of the Urals, led by Arpad (c845-c907), and his descendants consolidated their power in the region. Stephen’s father, Géza (grandson of Arpad), had made peace with the Holy Roman Empire and started the process of turning the country Christian. Stephen, once he had dealt with a rival claim to the throne by Koppány, his uncle, continued the process, applying to Pope Sylvester II for the insignia … Read more
Bamboozled
A movie for every day of the year – a good one 6 February The first minstrel show, 1843 On this day in 1843, the Virginia Minstrels led by Dan Emmett became the first full-length black minstrel show in the USA. They’d tested and previewed the show at other venues but it was on 6 February that the show opened at the Bowery Amphitheater, New York. The show had a three-act structure – four guys sitting in a semi-circle, singing songs, telling jokes and just generally being entertaining; followed by a front-of-curtain variety segment; finishing off with a spoof/skit/satire piece. Minstrelsy goes back as far as you care to look – to the … Read more
Eternity
A supernatural comedy just like Hollywood used to make – that’s the big idea behind Eternity, Irish indie film-maker David Freyne’s arrival in the bigtime, a knowing nod to Preston Sturges and Ernst Lubitsch with a touch of Powell and Pressburger’s A Matter of Life and Death thrown in for fun. To be fair to Freyne and co-writer Pat Cunnane, they don’t overdo the allusions, possibly to strangle compare-and-contrast criticism at birth. Though the plot – a recently dead woman is asked which of two men she wants to spend eternity with: her first love or her husband of many years – feels like it’s straight from the era of The Ghost Goes West and … Read more
Loving Vincent
It’s likely that nothing is ever going to knock Loving Vincent off the top spot when it comes to films about the paintings of Vincent Van Gogh. Whether it relegates 1956’s Lust for Life – which starred Kirk Douglas as the tortured artist – into second place as a biopic is another mattter entirely. It’s a Polish movie with British/Irish actors in most of the key roles and an unashamed Citizen Kane structure. Douglas Booth takes the investigative role as Armand Roulin, the rough postmaster’s son trying to return a letter sent by Vincent to his brother Theo, and in the process going from one person to another, talking out of each details … Read more
Nightmare Alley
2021’s Nightmare Alley isn’t based on the 1947 film noir of the same name, so we’re told by various venerable authorities. Tell that to the judge. Even if it genuinely is a bona fide and honest reworking of the same source material, William Lindsay Gresham’s smash 1946 novel, even a quick look at the 1947 movie is enough to convince anyone that this Nightmare Alley has seen the older one, taken notes and then studied them hard. This extends to the casting choices. These start with Bradley Cooper as the grifter who starts out as a nobody in a carnival, works his way to the top of showbiz with a mentalist routine, over-reaches … Read more
House of Gucci
House of Gucci, Ridley Scott, this looks like a good fit. A fashion house relying on its image to shift product and a director who started out in advertising and still has an eye for an arresting visual. And so it proves to be, mostly… though by the end you might be staring at the screen with head slightly aslant. The what, the huh? Pushing comparisons to beyond their limit, in some ways it’s a remake of Alien, though this time Lady Gaga plays the invading creature who’s going to wreak havoc, a brassy little minx called Patrizia who bumps into sober, low-key Maurizio Gucci (Adam Driver) – scion of the fashion house … Read more
Distant Voices, Still Lives
A re-release from one of the most distinctive cineastes in British film. Terence Davies’s 1988 maundering autobiographical film (“It all happened… I had to tone down the violence of my dad”, Davies told The Guardian) is set in the Liverpool of his youth and is more an impressionistic montage of vibrant tableaux vivants than a drama with a traditional structure. It’s a two part affair, the first half concentrating on the brutish, violent dad (Pete Postlethwaite), long suffering, sad-eyed mum (Freda Dowie) and their three kids – as wartime austerity starts to crack and the good times of the late 1950s start to make their presence felt, which is the theme of the second … Read more
Crime Wave
This heist-gone-wrong movie starts with a heist going wrong. 1953’s Crime Wave (aka The City Is Dark) is a B movie and wastes no time hanging around. The setup is classic – within scant minutes of opening a cop is dead, one of the bad guys is in urgent need of a doctor and the heisters are on the run with the law on their tail. Meanwhile, across town another classic ingredient, the ex-con trying to go straight but being dragged back towards crime, first by the wounded man arriving at his door, then by the bent doctor who arrives to patch him up, and finally by the fugitive bad guys themselves. Studio … Read more
The Avengers: Series 4, Episode 9 – The Hour That Never Was
Mrs Peel comes of age in The Hour That Never Was, the ninth episode of series 4 and a typical classic-era Avengers based on unlikely goings-on in locales almost devoid of people. “Comes of age” because in this episode she is clearly smarter than Steed, being the first one to notice that time appears to have stood still – it was 11am when they crashed while pootling down a country road towards a reunion at Steed’s old air base, and it’s still 11am some time later as they wander around the base, which is now seemingly suddenly deserted. She’s also dressed in a style that’s hipper than usual – low-slung trousers, big fat … Read more
