Popular Reviews
Weathering with You
Charming rather than gripping, Weathering with You is a bizarre mix of the everyday and the fantastical, a story set in a world where it never stops raining, unless you happen to know a “sunshine girl” who can bring the weather to a standstill. That mix – of normal and weird – will be familiar if you’ve seen any of Makoto Shinkai’s animated output, particularly his international breakthrough, Your Name, a boy/girl bodyswap romance that also featured a comet hurtling towards Planet Earth, as if a teenage male and female swapping bodies wasn’t fantastical enough. (Incidentally, thanks to that film, Shinkai now has an asteroid named after him, 55222 Makotoshinkai.) The style is … Read more
Grand Jeté
A former ballerina embarks on an intense sexual relationship with her own son. That bald plot outline of Grand Jeté doesn’t give any sense of the almost tactile intensity of Isabelle Stever’s film, a drama driven by emotion rather than events. Plot junkies might need to sit this one out. But for those who like mood and texture, Stever is the real deal, a director with a precise control of the warp and weft of film-making, with a camera that’s almost subjective in its shallow focus on its subject and its interest in the minutiae of everyday life. She follows, in an almost furtive documentary style, Nadja (Sarah Grether), from the practice room … Read more
One Night in Miami
What did Muhammad Ali, Sam Cooke, Jim Brown and Malcolm X all talk about when they met to celebrate on the night of Ali’s victory over Sonny Liston in January 1964? It’s a fascinating question that One Night in Miami asks. The answer, in reality, is nothing, since the meeting never took place. But Kemp Powers’s play imagined that it did, and it didn’t do the box office any harm. Now Regina King’s silky and understated direction brings it to a wider audience. Ali wasn’t called Ali back then. He was still using his birth name, Cassius Clay, a fact that boomers will already know since Ali is part of their programming. For … Read more
The Man Who Knew Too Much
Here’s the original 1934 version of The Man Who Knew Too Much, the thriller Alfred Hitchcock would remake in 1956 with James Stewart and Doris Day in the lead roles. He later said this first version was “the work of a talented amateur, and the second was made by a professional.” However, ever a master of misdirection, it’s actually the first one that Hitchcock preferred. He found the second too polished. Unlike the second, this is a very British affair, with Leslie Banks and Edna Best as the married couple whose holiday in St Moritz is interrupted when a friend is shot and killed in front of them (in one of the most … Read more
Ryan Reynolds and the Death of the Real Man
All aboard Ryan Reynolds, prime example of Hollywood’s new breed of depilated, exfoliated, irrigated masculine star. Whatever happened to real men? From out of the low, strong sun, three figures ride towards the camera, tall in the saddle, squinting into the wind. As they hit medium shot, John Wayne turns to the compadre on his left and parts the lips on his line-free face to reveal two rows of snowy white teeth. Meanwhile the man he is about to address, Clint Eastwood, has thrown aside his poncho to reveal a shirt unbuttoned to the waist, his tan, hairless chest cresting sensually towards what might or might not be a nipple ring. And on … Read more
The Canyons
A movie for every day of the year – a good one 22 July Paul Schrader born, 1946 Today in 1946, the writer, critic and director Paul Schrader was born, in Grand Rapids, Michigan, USA. The son of religious parents, he was brought up by strict Calvinist standards and didn’t see a film until he was 17. He studied theology, then went on to do film studies at UCLA Film School, having met the famous critic Pauline Kael by accident en route and become one of her critic protégés. His first screenplay, co-written with his brother Leonard, was The Yakuza, and commanded the highest price for a script ever paid (according to the … Read more
Q Planes
Screw your eyes up a bit and don’t ask too many questions and you can just about see the outline of the James Bond franchise in 1939’s Q Planes, a breezy mix of spycraft, flirtatiousness, tech and eccentricity, all served up with the sort of crisp British diction you’d expect from a film made mostly in Denham Studios, home of Things to Come, Brief Encounter and Blithe Spirit. Another endpoint is the 1960s spytastic TV series The Avengers. Patrick Macnee admitted that he borrowed much of the character of mysterious brolly-carrying, hat-wearing spy Major John Steed from Ralph Richardson’s portrayal of mysterious brolly-carrying hat-wearing spy Major Charles Hammond. Hammond is introduced brilliantly in … Read more
In the Quarry
Four people have a lazy day hanging out in the sun at a water-filled disused quarry in the Uruguayan film In the Quarry (En el pozo). Not all of them are going to make it to the end of this increasingly knuckle-whitening thriller, the feature debut of brothers Rafael and Bernardo Antonaccio, whose command of tension and film-making technique suggests they have a bright future ahead of them. In the words of Jean-Luc Godard all you need to make a movie is a girl and a gun. The girl in this case is Alicia (Paula Silva), a smalltown escapee who’s returned to hicksville to catch up with old friends and show off her … Read more
25 August 2014-08-25
Out in the UK This Week Locke (Lionsgate, cert 15, Blu-ray/DVD/digital) A film set entirely in a car driving along a motorway needs a lot going for it to work. Locke has it. A tight, believable script, Tom Hardy as a methodical yet inwardly erratic concrete specialist (metaphor alert) who has spent his entire life trying not to be like his loser dad, and is now trying to avert the collapse of his entire life by making call after bluetooth call while hurtling towards London. That’s it – a man and a phone and the voices at the other end. Some you might recognise – Olivia Colman as the pregnant one-night stand Locke is trying … Read more
Contact
A movie for every day of the year – a good one 15 March World Contact Day Today is World Contact Day. It was declared as such by the International Flying Saucer Bureau in 1953. Since then it has used annually as an opportunity for all those interested in doing so to send a message telepathically to any extraterrestrial alien in space who might be interested in visiting earth. Not to be confused with World UFO Day (24 June or 2 July depending on who you talk to), it was originally intended by “contactees” as a way of establishing not just that entities from other worlds existed, but that they were friendly. The … Read more
The Whale
The Whale did something that films these days hardly ever do. When it was released in 2022 it opened small, in “limited release” in a handful of cinemas. It had done well at Cannes and at the festivals but no one really expected a film by Darren Aronofsky and starring Brendan Fraser – neither of them hot any more – to keep on growing, week on week. But it did, opening in more and more cinemas, until it was in 1,500 theatres on its sixth week, up from six on its opening weekend. Word of mouth is what did it, and the word was that Fraser was exceptional as Charlie, a morbidly obese … Read more
The Curious Return of Douglas Sirk
What is it about a film-maker who died around 25 years ago in obscurity that fascinates a new generation of directors? The director Douglas Sirk died in 1987 aged 90. Born in Hamburg as Detlef Sierck, he became well known for his string of lush melodramas made in Hollywood in the 1950s. Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1957), A Time to Love and a Time to Die (1958) and Imitation of Life (1959) are considered his key works. The French “auteurists” were the first to start the re-assessment of Sirk in the late 1950s – the distinctive look of his films marking them out as … Read more
