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Popular Reviews

The pig and Nicolas Cage

Pig

“John Wick with a Pig” is how Pig, starring Nicolas Cage, is often described. Fair enough, even if that only really works as a shorthand if you’ve got a big bag of “buts” handy. Admittedly, the plot is strangely similiar – loner loses favourite animal and goes on a payback jag. But though Cage and Keanu Reeves are both boomers from 1964, the similarities end there – Cage is a “big” actor embracing the extra texture that age brings, Reeves is more minimalist and doing his best to ignore it. Either way, this is a vastly entertaining odd-couple comedy served straight. And that’s another thing – this is a buddy movie, whereas the … Read more
Cicely Tyson as the mother

Sounder

A critical and box office hit, Oscar-nominated and a movie now preserved by the US National Film Registry, Martin Ritt’s Sounder is one of those important films that no one seems to talk about any more. It seems to have been forgotten, or is a cult being kept alive by a small band of devotees. Perhaps it got lost in the undergrowth, along with films like the comparatively well known Silent Running, because it’s a movie from 1972 and so was squeezed out by the competition in one of the mega years – The Godfather, Cabaret, Deliverance, Solaris, Sleuth, The Discreet Charm of the Bourgeoisie, Carry On Matron (I’m joking). Or maybe it’s … Read more
The meg takes on Jason Statham

Meg 2: the Trench

Meg 2: the Trench, in which a studio tries to turn a good, fun one-off into a franchise and winds up on the beach face down, gasping for air and with gravel in its shorts. Quick recap: a massive prehistoric shark, a Megalodon, escapes the depths where it generally operates and starts menacing the upper reaches and beaches of our planet. Enter Jason Statham. Surely one man cannot be a match for something this big? That was The Meg. In Meg 2: the Trench, the monster shark is back, and so is Statham. And if we’d been served up Meg 1 all over again, I doubt anyone would have complained too loudly. It … Read more
Feathers and Wensel discuss their future

Underworld

1927’s Underworld is often described as the first gangster movie, or the first film noir. It’s neither really, but it’s easy to see why the tags stick. It is undeniably the movie that kicked off the gangster craze in the late 1920s and early 1930s and there’s enough moody lighting in it to tick any number of noir boxes. But really it’s a tale of doomed romance, the story of a gangster’s moll caught between not two but three men – her original guy, who she wants to do right by, a psychopathic rival, and the guy she falls for. For a silent movie it has a lot of psychological nuance, though the … Read more
Emma Peel as the Queen of Sin

The Avengers: Series 4, Episode 21 – A Touch of Brimstone

And so we come to A Touch of Brimstone, an episode that didn’t make it onto US TV screens in 1966, thanks to the bondage gear that Mrs Peel eventually gets into in the final scene. How we get there is pretty interesting too. The whole thing opens very cinematically with a lovely shot of the back of an armchair advancing towards the camera. It’s being pushed by Peter Wyngarde, no sign of the luxuriant moustache that made him a household name in Department S and its Wyngarde-focused spin-off Jason King, though he is sporting fancy shirt cuffs and links, a foreshadowing of King’s sartorial style. Wyngarde’s character, John Cleverly Cartney, is at … Read more
Howard and Jerry on the lam

The Sound of Fury aka Try and Get Me!

A beacon of decent acting in a sea of ham and cardboard, Frank Lovejoy is the main reason to watch The Sound of Fury (aka Try and Get Me!), a dull, sanctimonious drama boosted by an incendiary finish. Fritz Lang had already turned the original true story into a film, Fury, but this is Cy (billed as Cyril) Endfield’s version. The plot: decent, hard-working family man Howard Tyler is the everyday sucker who can’t get a decent break and so takes up with flash Jerry Slocum (Lloyd Bridges), a smalltime criminal. Things go OK for Howard and Jerry for a while, and Howard’s blubby wife (Kathleen Ryan) is particularly happy that Howard is … Read more
Janusz Gajos and Krystyna Janda

Interrogation

It took real courage to make Interrogation. Known as Przesluchanie in the original Polish, it looked like career suicide for everyone involved in the making of it. Even given the easier political situation in Poland once the Solidarity union had started making headway from 1980 onwards, the film’s message – that the regime was inhumane, Nazi even – was never going to be tolerated by the authorities. And it wasn’t. Banned before it appeared in 1982, it was nevertheless widely seen in Poland, thanks to pirate tapes played on VHS machines, which had only recently been introduced to Poland. When the Iron Curtain fell in 1989 it finally got its official release and … Read more
Lila the undead

Birth/Rebirth

James Whale would probably approve of Birth/Rebirth, a new take on the Frankenstein story which, like Whale’s 1931 movie, is creepy, dark and yet shot through with a touching humanity. Until it isn’t. It’s a female take, with the focus largely on women, plus a female director, who also co-wrote, and the cinematographer, composer, editors, production designers and so on are mostly women too. Plus two stars in Marin Ireland and Judy Reyes who play either side of a familiar stereotype. On one side the monstrous feminine of Rose Casper (Ireland), an emotionless pathologist in a hospital morgue who is secretly collecting genetic material to further experiments into the reanimation of dead people. … Read more
Strawberry and Mikey on a fairground ride

Red Rocket

Red Rocket is the latest news bulletin from Scuzzville USA by Sean Baker, who gave us bitching transexual sex workers in Tangerine (the one “shot on an iPhone”) and the travails of motel-dwelling poor white trash in The Florida Project. Both of those flirted with poverty porn and so does Red Rocket, more literally this time with the story of busted porn star Mikey Saber (Simon Rex), who returns to his Texas hometown to re-ingratiate himself with his his estranged wife Lexi, who lives with her mother in however you designate a dwelling that’s one up from a trailer. Constant background noise, or something big and ugly hovering at the edge of the … Read more
Cassie in action

Promising Young Woman

A #MeToo-fuelled drama produced by Margot Robbie’s LuckyChap company, starring Carey Mulligan and directed and written by Killing Eve’s Emerald Fennell. Promising Young Woman is full of promising young women but recently gained extra notoriety because a Variety review of the film apparently suggested that Carey Mulligan wasn’t quite hot enough to pull off the role of vengeful temptress luring drunk men to their fate. That comment was actually about Mulligan’s performance rather than her looks. But the story now has grown its own legs. Either way, an attractive young woman who is not hot enough to tempt a heterosexual man wearing several pairs of beer goggles. Pause to think about that. And … Read more
John Steed and Emma Peel

The Avengers: Series 4, Episode 25 – How to Succeed… at Murder

Feminist or not feminist? That’s the question that hovers over the whole of How to Succeed… at Murder, a Brian Clemens script for The Avengers that first aired in March 1966. Secretaries are what it’s all about, trusted right-hand women of busy gammon-faced male business titans, who are all dying in quick succession. Leaving the running of their companies in the hands of women formerly trusted with little more than jotting down and transcribing shorthand… because these Girl Fridays are the only people who understand the fiendishly complicated systems these men have devised. Is this a good thing (see how capable a woman can be!)? Or the opposite (things are so desperate that a … Read more
Pinkie and his gang

Brighton Rock

Not many British films make the “Best Film Noir” lists but Brighton Rock regularly does. And unlike many a key “British” noir, this one was directed by a Brit, John Boulting rather than an American fleeing McCarthyism (Jules Dassin and Night and the City or Cy Endfield and Hell Drivers), a visiting Frenchman (Edmond Gréville’s Noose) or an expat Brazilian (Alberto Cavalcanti’s They Made Me a Fugitive). It’s also unusual because of the role it gives Richard Attenborough. Nice, cuddly Dickie later of Jurassic Park fame here plays a smalltime 17-year-old psychopathic mobster in the town of Brighton, a seaside resort with a reputation for kiss-me-quick hats and extramarital affairs conducted by people … Read more

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