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Ray

A movie for every day of the year – a good one 23 September Birth of Ray Charles, 1930 On this day in 1930, Ray Charles was born. Six times married, the father of 12 children, Charles also found time to help create what is now known as soul music, a fusion of gospel, jazz and blues, a prime example being his song Georgia. Sighted at birth, Charles started losing his vision when he was five and was completely blind by the age of seven, thanks to glaucoma. Charles was playing in bars in his early teenage years, by the time he was 19 he was having his first hits. Ten years later, … Read more

Redux Redux

Redux Redux retools the high concept of Edge of Tomorrow, but instead of Tom Cruise being endlessly regenerated as an ever better fighting machine, it’s Michaela McManus as an endlessly vengeful mother repeatedly killing the man who killed her daughter, and visiting all the trillions of parallel universes to do so. Actually, Irene is hoping to find her daughter still alive and in the rude health in one of them. When she doesn’t, killing the man who stole her daughter’s life acts as consolation. It also means she gets to hone her slaughtering skills – tying the perp to a chair and setting fire to him in one universe, shooting him in another, … Read more

30 November 2015-11-30

Out Now Ant-Man (Disney, cert 12) I’ve never signed up to the notion that Edgar Wright was the author of the Cornetto trilogy (Shaun of the Dead, Hot Fuzz, World’s End). That was Simon Pegg, clearly. But even so he was a vital component, and the news that he’d left this film before anything was in the can was a downer. On the upside, there is still plenty of his and Attack the Block’s Joe Cornish’s original script in Ant-Man – a fast, witty, inventive and playful thing, full of youthful energy, which Paul Rudd has made a decent fist of adapting (with Adam McKay). Rudd and McKay probably did the tinkering necessary … Read more

Relay

Relay is the sort of slick, well crafted thriller George Clooney used to turn up in. A grungier, slightly less glossy Steven Soderbergh-style thing, ish ish ish, with Riz Ahmed taking the Clooney gig as a rather old-school detective of sorts – the conflicted, damaged dude doing what he does because it helps keep him on the rails. His character, Ash, is a recovering alcoholic. We get scenes set at Alcoholics Anonymous, usually a hoary old bit of character shorthand, though in this case writer Justin Piasecki has found a way of integrating Ash’s AA sessions and his demons into the plot. Ish ish ish. The audience’s familiarity with material like this means … Read more

Cyrano

If the tricky bit in musicals is the moment when people transition into song, what about the quasi-musical? Cyrano demonstrates that the problem isn’t doubled but squared – every time Peter Dinklage, Haley Bennett or Kelvin Harrison Jr burst into song, it’s a genuine shock. The fact that the actual songs are a bit hit and miss is an added burden. In Edmond Rostand’s original story, Cyrano de Bergerac is the warrior poet with a massive nose and effortlessly spectacular language skills who falls badly for Roxanne, his ideal of femininity, but then helps a fellow soldier – handsome but dim Christian – woo her with his words, knowing that he has no … Read more

Mandela: Long Walk to Freedom

A movie for every day of the year – a good one   27 April Freedom Day, South Africa Today is Freedom Day in South Africa. It marks the day in 1994 when South Africa went to the polls in the first national elections open to all races. Voting lasted for three days, with people lining up patiently in long queues to take their turn and get their hand stamped in indelible ink. The African National Congress won the election, with just over 62% of the nearly 20 million votes cast, and Nelson Mandela became the country’s president, its first black leader. Mandela: Long Walk to Freedom (2013, dir: Justin Chadwick) On the … Read more

The Gigolos

The first feature by TV director Richard Bracewell lifts the stone on male gigolos in Money London, avoiding cliché to deliver a jagged yet humorous portrait of male/male rather than male/female relations. In seemingly aimless, freeform style we follow Sacha and Trevor, as they drop into one pre-arranged hook-up after another. Sacha is the gigolo, Trevor his aide. The cast is interesting and for two different reasons. For starters we have Sacha and Trevor, who are played by Sacha Tarter and Trevor Sather, the guys who wrote the film along with Bracewell, though much if not all of their dialogue is improvised. Next to these relative unknowns are their female clients, played by … Read more

Come and See

Best Of lists are designed to infuriate, obviously, to provoke debate. But even so, it seems beyond the realms of the credible that Elem Klimov’s Come and See only made it to number 71 when UK television’s Channel 4 ran a Best War Movies Ever poll a few years ago, while Ridley Scott’s fart in a biscuit tin, Black Hawk Down, sat happy at number 9. The 1985 Russian film is the best film about the Russian experience of the Second World War, one of a handful of real contenders for the best war film ever made. Following a tender 14-year-old (Aleksei Kravchenko) as he is first pressganged into joining a ragtag militia … Read more

Hinterland

Horizons aslant, perspectives askew, Hinterland borrows freely from German Expressionist cinema to put a new (old) spin on familiar material. “The war is lost,” intones a sombre voice in German as the lights come up. We’re in Austria after the First World War where a soldier just back from an extended stretch in a Soviet prisoner of war camp is acclimatising himself to life back in Vienna. He was a cop before the war and now he’s back on home turf he’d like to be again. Which is handy because there’s a killer on the loose, offing people in floridly extravagant ways – one man pinioned to a post by a large number … Read more

Ghost Trail

Watching the struggles of Syrian refugees in Western Europe isn’t everyone’s idea of fun, so how about a spy thriller instead? That seems to be the idea behind Ghost Trail, which manages to have it both ways – the miseries of a life in exile and the thrill of the chase as its hero chases down his quarry. It’s quite John Le Carré in many respects, with the focus on a Syrian refugee who is part of a network tracking down the people who tortured and killed back in the home country. In Zoom calls with his mother, who is in the Bekaa refugee camp in Beirut, Hamid pretends that he’s in Berlin, … Read more

The Avengers: Series 2, Episode 16 – Immortal Clay

By a gigantic stroke of luck, it seems, while Mrs Gale is being given a guided tour of a ceramics atelier, she stumbles across a dead body in the room where the raw clay is kept. Doubly handily, it seems that the company is engaged on cutting edge research to produce an indestructible tile to be used in the nose cone of a British rocket – what days, what days – and the dead man in question is one of the researchers engaged in its development and production. Of course, Gale – in deliberately ass-backwards Avengers plotting – isn’t at the factory/studio/lab/atelier (Teddington Studios, in fact) by accident, and, by way of explanation, we are … Read more

The Thin Red Line

In the mid-1990s it was more or less universally accepted that Terrence Malick had given up making films. He’d made Badlands in 1973 and Days of Heaven in 1978, both of them the sort of films that have critics coining new superlatives, but that was that. Then, 20 years after Days of Heaven, he came back as if from nowhere with his version of The Thin Red Line – there’d already been an adaptation of James Jones’s novel in 1964. And like Badlands and Days of Heaven it took a familiar genre – the war film in this case – and gave it a typically reserved Malickian treatment. Malick’s WWII actioner is not … Read more

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