enter the void

Popular Reviews

30 May 2016-05-30

Out This Week The Club (Network, cert 18) Chilean film-maker Pablo Larraín’s seething drama is set in a remote safe house where a group of disgraced Catholic priests are living under the steely eye of capable nun Sister Monica (Antonia Zegers). Life is simple and ordered, with the only bit of excitement coming from the racing of the priests’ greyhound at a local track, though the priests themselves are symbolically watching the race from a distance, through binoculars. This cosy life of the exiled pariah changes when new priest Father Mathias (José Soza) arrives and, having been read the rules – no self-flagellating, no self-pleasuring, no contact with anyone outside – he resignedly settles in, complaining … Read more

Macbeth

In 1971, less than two years after his wife, Sharon Tate, and unborn child had been murdered by Charles Manson and his mad followers, Roman Polanski went to work on his version of Macbeth (aka The Tragedy of Macbeth). “Exorcising the demons” is how the result is often described. Whether you buy into the pop psychology or not, this commercial flop is a bloody and brutal film, and a remarkably powerful one – direct, cinematic, taut and… yes… bloody. Polanski got in Kenneth Tynan – at the time the UK’s most famous critic, the literary manager at the National Theatre and infamous as the first man to say “fuck” on British television – to help … Read more

Jack Johnson

A movie for every day of the year – a good one 28 September Death of Miles Davis, 1991 On this day in 1991, Miles Davis died. By his own estimation the Juilliard educated trumpeter, band leader and composer changed music “five or six times”. Whether that is true or not, he was there when bebop was being invented, and the same went for hard bop, orchestral jazz, modal jazz, jazz-rock and techno-funk, the last of which he tossed off almost as an afterthought, having come out of retirement after spending the late 1970s indulging his two addictions – drugs and sex. His 1959 album Kind of Blue is the best selling jazz … Read more

The Passenger

The psychopath as psychotherapist is The Passenger’s fresh offering, though it serves up this unfamiliar idea in pretty familiar trailer-trash style. So, no, not the iconic Antonioni movie from 1975, nor the iconic 1977 Iggy Pop song, though thematically this The Passenger is in the same territory – it’s about a guy who is not in the driving seat and is spending his time letting the world go by. Agency is the name of the game, in other words, with Randy (Johnny Berchtold) learning how to get it, and Benson (Kyle Gallner) learning the perils of having too much of it. Randy works at a fast-food joint tacked on to a semi-derelict gas … Read more

The Avengers: Series 6, Episode 19 – The Curious Case of the Countless Clues

If you had been watching The Avengers every week in 1969, you’d have seen Tara King effectively neutralised – warming the bench – in the two previous episodes, Killer and The Morning After. And at first The Curious Case of the Countless Clues looks like third time unlucky for Linda Thorson. Tara has a broken tibia, it turns out, and is laid up at her apartment, forcing Steed to go it alone when a government minister is implicated in the murder of a man we’ve already seen dispatched in bizarre fashion, by a pair of “detectives” who appeared to have “found” the evidence of the man’s death before any crime has even been … Read more

Alias Nick Beal

Also known as The Contact Man, Alias Nick Beal is the much better title of this unusual political allegory meets supernatural drama. The Nick is Old Nick and the Beal is short for Beelzebub. Got it? A retelling of the Faust story is the idea, with Ray Milland as the Mephistopheles stand-in and Thomas Mitchell as Joseph Foster (Foster/Faust, see?), a principled and upstanding district attorney determined to nail a career criminal who has been outsmarting him for years. I’d give my soul to get that guy, says Foster in so many words at one point. And that’s it – unbeknown even to himself the deal is done. So when he meets the … Read more

All Happy Families

Like a few episodes of a gentle family sitcom bolted together and the joins sanded flat, All Happy Families is an Everybody Loves Raymond-style journey with a couple of issues thrown in to indicate grown-up-ness. It’s well acted, slightly sentimental, a little nostalgic for simpler times and is just the sort of vehicle you might expect Josh Radnor to board after 208 episodes of How I Met Your Mother on TV. It starts with a shot of what might be an endoscope snaking up someone’s colon but turns out to be a drains guy’s mini-camera in the sluiceways of the family home of the Landrys. They’ve all moved out, and the house is … Read more

Blithe Spirit

“Hail to thee, blithe Spirit! Bird thou never wert,” run the lines in Shelley’s poem To a Skylark. And though there’s plenty of spirit in 2020’s remake of a 1945 film often considered a classic, this bird resolutely fails to take wing. The basic plot remains the same as the original film (and original play): Charles and Ruth Condomine are a rich couple living in elegant boredom out in the English countryside. He’s a writer struggling with his latest novel. So he gets in a bogus spiritualist, Madame Arcati, to conduct a seance, which waggish Charles will use as background material in his book. The seance goes oddly right, or wrong. When Madame … Read more

The Killing Room

A movie for every day of the year – a good one 26 July CIA created, 1947 On this day in 1947, the National Security Act was enacted by the US Congress. Among other things, it created the Central Intelligence Agency, the successor agency to the Office of Strategic Services, which had been formed during the Second World War to coordinate spying against the Axis powers. The CIA is responsible for counterterrorism, non-proliferation of weapons of mass destruction, intelligence, counter-intelligence and cyber-intelligence. In 1963 the CIA’s budget was $550million ($4.2 billion inflation-adjusted). By 2013 it was $14.7 billion. It is the only US government agency allowed to use “unvouchered” funds – those without … Read more

Ninotchka

Because Ninotchka stars Greta Garbo, was directed by Ernst Lubitsch and was written by the great Billy Wilder and Charles Brackett, along with Walter Reisch, it tends to get an easy ride when talk turns to the momentous American films of the golden era. It was released in 1939 too, Hollywood’s annus mirabilis, which also helps. If it’s not quite the classic it’s often billed as it’s not far off. Its problem – let’s get the bad stuff out of the way to start with – is that it solves the question it poses early on, leaving its star slightly with nowhere to go. The question: how would a stern, utilitarian Communist react … Read more

Klown aka Klovn: The Movie

A lanky speccy guy is lying in bed reading when his wife crawls in beside him. “Would you like some yummy yummy?” she asks. Looking expectant, he immediately pulls back the duvet, to reveal white vest tucked into white underpants. He looks ridiculous. We laugh. And then he learns that when she said “yummy yummy” she meant chocolate cream puffs, not sex. We laugh again. The tone is set for Klown, a comedy going large on the humour of male embarrassment, male emotional autism, male sexual foolishness, male dumbness in particular. Strangely enough, this sketch-driven comedy appears to be aimed largely at men. Spun off from the taboo-skewering Danish TV series, the film … Read more

Night Editor

Night Editor started life as a popular radio show supposedly telling stories inspired by listeners’ letters. This 1946 movie spin-off, based on the episode titled Inside Story, was meant to be the first of a series. But that never came to be, and so we have only this as a suggestion of what might have been. Tales from the deep memories of old newspaper hands is the big idea. And after some scene-setting in the offices of the New York Star, where the night editor and other unfortunates working the graveyard shift play cards, drink coffee and smoke cigarettes, director Henry Levin’s film starts properly. It tells the story of Tony Cochrane (William … Read more

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