Popular Reviews
First Cow
Kelly Reichardt’s films often operate at two levels. At the surface one story plays out, while somewhere to one side, and often as a comment on the first story, something different is going on. First Cow could really be called First Love, since it’s the story of two men who meet in difficult circumstances and then form a bond that lasts until death. What it looks like, though, especially at first, is a western, a story of a cook who’s travelling with hard-bitten fur trappers. They’re all out in the forest and there isn’t enough food. And even if there was, the trappers don’t seem to like what the cook’s been serving. There’s … Read more
18 May 2015-05-18
Out This Week Ex Machina (Universal, cert 15) Joining Gravity and Interstellar, as well as a host of lower budget films, Ex Machina shows we’re in a golden age of sci-fi, this film’s theme being consciousness and whether the Turing Test has been passed: that a robot has become intellectually indistinguishable from a human. Or is it the Test itself that’s being tested? Domhnall Gleeson is the geek brought in by his messianic megatech wizard boss (Oscar Isaac) to give the yay or nay, Alicia Vikander is the robot he clearly falls for the very first second he claps eyes on her – and with face, breasts and buttocks Vikander’s own, while the rest … Read more
25 July 2016-07-25
Out This Week Disorder (Soda, cert 15) Like Ang Lee’s Crouching Tiger, Hidden Dragon, Disorder is a love story masquerading as something else – a home-invasion thriller, in this case – and so is the perfect date movie for traditionally minded peeps. The casting is bang on. Matthias Schoenaerts, an expert in beefy angst, is ideal as a security guard with PTSD falling for trophy wife Diane Kruger – Kruger’s “because I’m worth it” ex-model coolness actually being a real advantage here. The bit of posh going for a bit of rough is hardly a new idea, but director/writer Alice Winocour stokes the tension early on, setting many scenes in tight little corners, and even … Read more
In My Mind
In My Mind is a close relative of one of those Nick Broomfield documentaries where, instead of making a film about his original subject, Broomfield tells the story of how he tried, but failed, to get his man or woman (see Tracking Down Maggie, about failing to get an interview with Margaret Thatcher, or Kurt and Courtney, in which he chased Courtney Love, to her increasing irritation). The person in question here is Patrick McGoohan and the film-maker is Chris Rodley, who in 1983 was sent to LA by Britain’s Channel 4 to film some interviews with McGoohan for an upcoming documentary about the cult 1960s TV series The Prisoner, which Channel 4 … Read more
The Grandmaster
There are misgivings even during the opening scene of this decade-straddling epic about Ip Man, generally described as “the man who trained Bruce Lee”. There’s legendary martial artist Ip Man (the impassive Tony Leung) in a stylish straw hat taking on a phalanx of uglies in a torrential nighttime downpour. Slo-mo rain. It’s the sort of visual cliché you might expect from Uwe Boll rather than one of the most gifted film-makers in the world. But, a bit of plot. The film kicks off in the 1930s when, Leung’s voiceover tells us, Ip Man is about 40, a content, wealthy resident of Foshen with a lovely wife and a rich cultural life. This … Read more
A Man Escaped
A Man Escaped is probably the best jailbreak movie ever made. Who said Shawshank? What’s more it was made almost as an “anti-movie” movie by a director so disdainful of cinema trickery and excess that he turned out one film after another to demonstrate that you don’t need it all, and that when it comes to drama on the big screen, sound is at least as important as image, possibly more so. Set in 1943 in Nazi-occupied France, it simply follows a Resistance fighter called Lafontaine (François Leterrier) into and then out of prison again. Taken in by the Nazis, escaping under his own steam, using nothing but ingenuity and everyday objects. A … Read more
The Prestige
After Insomnia and Batman Begins, big Hollywood numbers taken on to show studio willing – or so it seemed – Christopher Nolan is back to being master of his own destiny, writing with his brother Jonathan and also producing this lavish smoke and mirrors cat-and-mouser. Clearly an attempt to “do another Memento”, it’s about a pair of Victorian magicians in a “this town ain’t big enough for the both of us” London, who once were bosom buddies but fell out after a trick went wrong and the wife of one of them died. And since that day they have gone on to different sorts of glory, but as deadly rivals, each trying to out-trick … Read more
The Olsen It’s Cool to Like
Elizabeth Olsen, younger sister of those squeaky Olsen twins, is going into the family business. Is the business ready for her? Is our interviewer? One of the hazards of this journalism game, particularly if you’re a middle aged man, is meeting attractive young female actors in the interview situation. They’re likely to look at you intently, laugh at your feeble stabs at humour, lean towards you confidentially, look interested. And of course they’re in the acting game, so being plausible is a large part of what they do. It’s unbelievably easy to believe these bundles of talent and hotness fancy you. It’s a frequent occurrence to leave the interview completely smitten. Take Elizabeth … Read more
Deadline at Dawn
A romance, a noir and a whodunit all in one, Deadline at Dawn is the only film Harold Clurman ever directed. A theatre director by background, Clurman wisely keeps it between the rails here with solid functionality. He shows us the stuff we need to see and nothing more. There’s no flash, no tricksiness. The same cannot be said for the timeline, which is jumbled about a fair bit. A smalltown soldier boy on leave in the big city wakes up with the mother of all hangovers and a pocketful of money. He has no idea where the loot came from, nor what he was doing the night before, beyond a hazy memory … Read more
Dancing Lady
Can a dancer also be a lady? 1933’s Dancing Lady is already asking the question in its title. It stars Joan Crawford – 1933 Joan Crawford, before the batshit stare developed – as a dancer in a risqué burlesque show who, in the film’s opening moments, is being arrested for indecency by the cops. And is then bailed out by a Park Avenue swell who thinks he sees something in young Janie Barlow. What Tod Newton (Franchot Tone) sees, in fact, is another notch on his bedpost, but ambitious Janie is determined she’s not going to help him carve it. Instead, holding on tight to her honour, she decides to ride what she … Read more
Woman in the Dunes
Whether you call it Woman in the Dunes, Woman OF the Dunes, or go with the original Japanese title, Suna No Onna, Hiroshi Teshigahara’s wildfire success from 1964 (arthouse wildfire – it’s relative) is surely unique in being the only absurdist erotic Japanese drama. Tarkovsky rated it as one of his top ten films, and you can see why from almost the first shot, which announces that there’s going to be less a narrative, more a poetic approach to the storytelling with an image of a boulder that in fact turns out to be – as the camera pulls back, back, back – just one among millions of grains of sand, sliding, flowing, rolling … Read more
The Devil Thumbs a Ride
It’s only in B movies that the bad guy gets top billing. That’s the case with The Devil Thumbs a Ride, a showcase for Lawrence Tierney, playing a villain who looks like he’s been lifted out of the 1930s and dropped into this 1947 noir. Cold and deadly, side-of-the-mouth diction. He fits in perfectly with this mix of the ugly and the quaint, the terse and the acidic. The whole thing is a cliché, but a cliché done with a considerable amount of flair. Tierney plays a hood, a murderer who shoots a man in cold blood and then flees the scene of the crime by picking up a lift with a drunk … Read more
