Popular Reviews
Finding ’Ohana
’Ohana is the Hawaiian concept of family or home and in Finding ’Ohana a couple of ethnically Hawaiian New York brats discover its true meaning back “home” in Oahu. They’re looking for something else: lost pirate treasure which, according to an old journal belonging to their grandpa Kimo (Branscombe Richmond), can be found by following a number of clues, in much the same way as you might follow clues if you were geocaching. Handily, one of the two siblings is all about the geocaching. But let’s meet the family, as they say in game shows – Grandpa is living under a mountain of debt which his widowed daughter and frazzled single mom Leilani … Read more
Catch and Release
Having written the entirely acceptable Erin Brockovich and the entirely terrible 28 Days, Susannah Grant makes her directorial debut with a dog of a rom-com starring Jennifer Garner as the girl mourning the death of her fiancé, learning that he wasn’t as perfect as she had thought, and turning to his friend (Timothy Olyphant) for succour and much else besides. How awful a rom-com premise is that? Such was your love for someone, so impactful was his death, so stricken are you by the news that he might well have been a scumbag, that you decide to start making big eyes at the nearest available sexy guy. True, it might happen in real … Read more
Greek Pete
Andrew Haigh’s debut feature Greek Pete, a biographical “year in the life” of a London rentboy, takes the documentary form and gives it a good pounding. Pete is an early-20s dark-haired, nice-looking guy who loves to talk. We meet him as if we’re eavesdropping, from a distance, through a doorway. He’s on a sofa with a client chatting. The client’s face is fuzzed out. The two men pull relaxed poses as they make small talk about Pete’s background. Then Haigh’s camera cuts to “later that night”, now less the eavesdropper and more the Peeping Tom, as Pete gives the client a severe anal rogering. Cuts again to a neon-speckled club where Pete is … Read more
In the House
If you’ve seen 5X2, you’ll already know that François Ozon makes immensely clever and highly entertaining films, and that there’s a point to the cleverness; he’s not just showing off. In the House, aka Dans La Maison, is Ozon to the bone, another very clever piece of work. This time, however, the point he’s making is far less immediately obvious. 5X2 was a love story played out backwards, the point being that, “forearmed” as we were with the knowledge that the relationship would crumble, we saw the couple in question’s first stirrings of love, courtship, marriage, honeymoon and so on through entirely different eyes. Here Ozon plays a similar trick, taking a Cuckoo … Read more
Wife of a Spy
There’s a real lack of urgency in many of the films of Kiyoshi Kurosawa. Sometimes it works in his favour, sometimes against. Against, I’m feeling, with Wife of a Spy. Though there are plot bombs dropped towards the end, and fascinating ideas bubbling away in there to, this high-tone mix of lush period drama and fine acting is undercut by Kurosawa’s tendency to soft-pedal. Spies, a time of national emergency, marital infidelity, Wife of a Spy doesn’t lack for hot subject matter and, for the non-native viewer, it also offers a window on a world we don’t often see – Japan during the Second World War, when patriotism took on an almost mystical … Read more
Danger Close: The Battle of Long Tan
A Vietnam war movie released in 2019, Danger Close: The Battle of Long Tan has a couple of other potential strikes against it. It’s Australian, for one, and who even remembers that Australia lined up alongside the USA for that epic? For another, it’s not even vaguely interested in setting Vietnam in the wider political context. All good reasons to watch it, then. Long Tan was a real battle, in which 108 Australian and New Zealand troops somehow managed to hold off an enemy Vietcong force of 2,000 in a battle that took place in a rubber plantation, at a huge cost in lives on both sides. Not that this movie is really … Read more
Ant-Man and the Wasp: Quantumania
First Ant-Man, then Ant-Man and the Wasp and now Ant-Man and the Wasp: Quantumania, an element added to the title each time, the films also getting longer on each new iteration. Longer, busier, more sclerotic, this could be the worst Marvel Cinematic Universe movie to date, and that’s including Shang-Chi and the Legend of the Ten Rings. This is also the first movie in phase five of the MCU, aka the Multiverse saga (if it’s the 2020s there must be multiverses), but never mind whether it calls into question the likelihood of there ever being a phase six (it doesn’t – Deadpool 3 is already in the works), it should raise all sorts … Read more
Oil Lamps (Petrolejové lampy)
Czech master film-maker Juraj Herz’s 1971 follow-up to The Cremator is a complete change of gears, pace, look, intent, the whole kit and caboodle, as if Herz wanted to say to the Communist authorities – look, I can do it straight too. Oil Lamps (Petrolejové lampy) is in colour, for a start, whereas The Cremator was a more serious black and white, and there’s nothing fancy in the lens choices, no unsettling edits, no barbed message hiding in the undergrowth. The story it tells is pretty straightforward too, about a woman desperate to be married who plumps for entirely the wrong man and then repents at leisure. It’s clearly informed by John Schlesinger’s … Read more
Mulan
Anyone for a live-action remake of a much-loved animation? The latest of Disney’s live-action makeovers of its own back catalogues continues a “so-what?” run of remakes – Jungle Book, Cinderella, Beauty and the Beast, Dumbo to name a few. They’re not bad films exactly – no, hang on, Dumbo is – but how many of them have been necessary, what are Disney playing at exactly, and how long before Snow White? Junking the songs and comedy sidekicks of the 1998 animation, this Mulan sticks fairly close to the original Chinese folk tale, first written down about 1,600 years ago, of a feisty young woman skilled in combat who, fearing for her sick father’s … Read more
11 August 2014-08-11
Out in the UK This Week The Raid 2 (E One, cert 18, Blu-ray/DVD) Gareth Evans’s sequel picks up exactly where the first film ended – after the relentless and entirely exciting display of pencak silat martial arts that was the alpha and omega of The Raid (aka Raid: Redemption) – as if to suggest we’re about to get more of the same. In fact we’re not. And at times over the next 150 minutes, following Iko Uwais as a cop deep undercover, Evans had me shaking my head in sorrow. Yes, there are some mighty fine displays of brilliantly choreographed fighting by Uwais. And the final 45 minutes is one long orgy of pugilistic brilliance. … Read more
Prick Up Your Ears
A re-release of Stephen Frears’s 1987 drama about Joe Orton, the blackly satirical and dead funny writer of Loot and Entertaining Mr Sloane who was battered to death by his lover Kenneth Halliwell in their rundown London flat in 1967, just as the big time arrived. It’s a study of a relationship skidding towards the brink, with Gary Oldman a chirpy, cocky Orton, Alfred Molina working hard at the much less sympathetic role of Halliwell, the older man whose tutorial services were no longer required once Orton’s star started to rise. Meanwhile Vanessa Redgrave puts in to-the-manner-born performance as Orton’s imperious, patrician, rather scary agent, Peggy Ramsay. The film seemed almost daring when … Read more
Head
Head is many things. The Monkees’ declaration of independence, a psychedelic beanfeast, a wackadoo retread of Help by the Prefab Four, director Bob Rafelson’s big screen debut and one of Jack Nicholson’s rare writerly contributions to the movies to list just a few. What it isn’t is a good film. Tiresome in the extreme, it wears out its welcome very quickly. If it wasn’t for the fact that the Monkees are an extremely likeable foursome, it would be barely watchable at all. But there is something to be squeezed from it, and it’s not just the chance to see cameos by Frank Zappa, Sonny Liston, Victore Mature, Dennis Hopper and Jack Nicholson himself … Read more
